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At the beginning of this week I mentioned that the Storymoja Hay Festival was taking place 19-22 of September in Nairobi. As I'm still lusting over the Programme and I also did promise I would share a few highlights of the upcoming Festival, I thought I would showcase two of their Premier Events - Silence is A Woman and The Vagina Monologues. 

I first watched the Vagina Monologues in 2009 during my Masters when a benefit performance was organised by students at LSE for  Women's Aid and V-Day to end violence against women. I had heard of the play, but never really paid any attention to it as I honestly had no idea what it was about. Then I watched it, absolutely loved it and wondered why it took me so long to pay attention to it. It is a great play that gets you to really take a look and think about women's experiences. It would definitely be amazing to watch again. 

It would also be great to see Silence is A  Woman. My first introduction to Sitawa Namwalie was much later - it was when I read a review of Cut Off My Tongue on ImageNations. Then I watched this YouTube clip and a few months ago I read an essay, Silence is A Woman, by Wambui Mwangi in The New Inquiry, which cited these few lines:


Let's speak a simple truth:
The average man can
without much planning
take by force
most average women in the world, 
all average children

Her words seem so powerful, so if you're in Nairobi and attending the Festival, please watch one (or both) for me. Thank you!!!  Here's more details on them and also a BIG thank you to Juliet Maruru for sharing these two events with me. And you can find out more on the Festival's website. 

Silence is A Woman is a new show premiering at the Storymoja Hay Festival on Saturday 21st September at 7:30 pm at the Nairobi National Museum.

Poetry and Powerful Words will Rock Your World! Most people would not willingly subject themselves to an evening of poetry for fear of terminal boredom. Yet the poetry of Sitawa Namwalie is rewriting the rule books. Her shows of dramatised poetry have captivated and inspired audiences in Kenya and in the UK where they have been performed since June 2008. 

What is it to be Kenyan? Why is it important for you to settle that question for yourself? Find out this and more in a new exciting dramatised poetry production by Sitawa Namwalie titled Silence is a Woman. This new show is as provocative as her earlier work Cut Off My Tongue. 

Silence is a Woman chronicles the journey of a woman, and the journey of Kenya as they both move through history, telling, re-telling and experiencing narratives that continue to haunt this nation. It reminds us that we are on a quest to heal ourselves by asking the right questions and by reclaiming our stories. The story of tribe is revisited in old updated conversations. Sitawa gives us a peek into our recent history again retelling stories of the Kenyan nation's difficult past. How many people remember the late Chelagat Mutai who became the first Kalenjin MP in 1972 at 24 years?

In this breathtaking collection she is joined by the voices of Ogutu Muraya, a playwright and Michael Onsando a poet and writer who bring a new twist to old stories.

The Vagina Monologues is happening Sunday 22nd September at 7:30pm also at the Nairobi National Museum.


What is it? The award-winning play is based on V-Day Founder/playwright Eve Ensler's interviews with more than 200 women. With humour and grace the piece celebrates women's sexuality and strength. Through this play and the liberation of this one word, countless women throughout the world have taken control of their bodies and their lives. For more than twelve years, The Vagina Monologues, has given voice to experiences and feelings not previously exposed in public.

The monologues have happened all over the world, and in Kenya, this will be the third performance this year. The previous 2 shows which happened early in the year were both sold out.
  
The cast includes: MÅ©mbi Kaigwa, June Gachui, Savanne Kemoli, Patricia Kihoro, Aleya Kassam, Lorna Irungu

What others say about it? By turns poignant and painful, uproariously funny and deliciously sexy, it was a celebration and appreciation of the wonder, mystery and beauty of vaginas and femininity. These women command our attention, they command our respect, they showed us the huge, hidden power of women; they titillated, they cajoled and convinced, they raged and railed, they appealed to our sense, they appealed to our humanity. They declared "Enough is enough!"

They had us applauding, shrieking, ululating.

One lady, Bea Imathiu, experiencing the Vagina Monologues for the first time, later reflected: "We laughed and cried in equal measure ... I cried from a place so far, the tears didn't fall - I laughed so hard I forgot to be a lady.

Who does it appeal to? Women between the ages 25-50, Liberated, independent career women, Expatriate Crowd

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On October 27 2012, I braved the cold London weather to check out the African Book Festival - a 2 day African literature festival, curated by Will Essilfie and Nii Ayikwei Parkes, celebrating books and contemporary writing, which featured readings and panel discussions with African writers, as well as African books sold at low prices.

On the day I went, there was a Publishing Panel with Ellah Allfrey (Deputy Editor of Granta) and Goretti Kyomuhendo (writer, former Programme Coordinator for FEMWRITE and founder of African Writers Trust), a showcase of new African writing, a non-fiction reading/talk with Hannah Pool (journalist and author of My Fathers' Daughter) and Musa Okwonga (sportswriter, poet, journalist, broadcaster), and a fiction reading/talk with Alastair Bruce (author of Wall of Days) and Aminatta Forna (author of several books including The Memory of Love). The publishing panel was especially insightful as both Ellah Allfrey and Goretti Kyomuhendo explored the oppotunities and gaps in African publising, and spoke in depth about what African literature needs. I especially loved it when Ellah Allfrey talked about the "imaginative potential that is out there", and when she said that "ours is the first generation with the power to make a change".

I have to say, I really enjoyed the "Futures Carousel" -  a showcase of new writings/books. 3 books and 1 poet were featured and each author (or representative of the author) had 10 minutes to introduce us to their works.

Amir Tag Elsir is a Sudanese writer who, in additon to  publishing 16 books, also studied medicine. The Grub Hunter was shortlisted for the International Prize for Arab Fiction in 2011 and was translated into English by William Hutchins. It was published by Pearson, as part of their African Writers Series (in 2008, Pearson brought back the Heinemann African Writers Series). Lynette Lisk from Pearson read an excerpt from the book which tells the story of a former secret service agent, who having been forced to retire due to an accident, decides to write a novel about his experiences. He starts to visit a cafe frequented by intellectuals, only to find himself the subject of police scrutiny.

My Life Has A Price is a memoir of survival and freedom written by Tina Okpara, in collaboration with journalist Cyril Guinet. It was translated from French (Ma Vie un a Prix) by Jolie Jodter and published by Amalion (an independent Senegalese publishing house). At 13, Tina, who came from a modest family in Nigeria, is adopted by Linda and Godwin Okpara and prepares to start her new life in France with her new family. Linda is the homemaker and wife to international football player Godwin Okpara, who played for French Club Paris Saint-Geramain as well as for Nigeria's national squad, the Super Eagles. This is Tina's story of her years of imprisonment, torture and abuse in the Okpara's home. An excerpt from My Life Has a Price was read by Kadija Sesay George (founder and publisher of SABLE LitMag), with a short Q&A with Tina Okpara after the reading.

Finding Soutbeck is Karen Jennings debut novel about the small town of Soutbeck. A representative from the publishers, Holland Park Press, read an excerpt, in which Soutbeks troubles, hardships and corruption, but also its kindness, strong community and friendships, are introduced to us in a series of stories about intriguingly interlinked relationships. Contemporary Soutbeck is still a divided town - the upper town destitute, and the lower town rich, largely ignorant - and Finding Soutbeck is a novel about the real conditions that shape the loves of ordinary, marginalised people. This is a story that paints a thought-provoking picture of life in contemporary South Africa.

There was also a poetry reading from a very talented lady, Bridget Minamore. One on being a 90s child, and the other, which sadly she didn't get to finish, on the issue of skin lightening.

Another great thing about the events was the variety of African literature they had on offer. In addition to the three novels showcased, a lot of the Caine Prize Anthologies were on sale, as well books from the African Writers Series.There were actually way too many to mention and there were tons that I've been dying to get my hands on. Like The Granta Book of African Short Story, How to Read the Air by Dinaw Mengestu and Dreams, Miracles and Jazz. They also aimed to make the books affordable - paperbacks were no more than £5 and hardbacks were no more than £10. I ended up getting Moxyland and Zoo City by Lauren Beukes, Tail of the Blue Bird by Nii Ayikwei Parkes, True Murder by Yaba Badoe, and My Life Has a Price. 

Overall it was a great literary event, very insightful and I am definitely looking forward to the next one.
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About me

Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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