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On Sunday June 4 2017, I will be in conversation with Ireonsen Okojie as part of SIMPLYGorgeous' first in their Sunday Chill Sessions - a series of events centred around the arts. A family owned afro hair salon, SIMPLYGorgeous  is taking inspiration from the idea of a salon as a place for discussion and learning to host these Sunday Chill Sessions. Through it, they aim to provide a space for likeminded women to convene, discuss ideas, identity and be inspired. As the Deborah Johnson - the brains behind the event explains: 
Our aim with these events is to offer women of colour a kick back offline environment to be inspired and connect. In a nutshell, it’s creating a space that I would’ve loved to already have found. A place that champions and supports arts from the experience and perspectives of women such as myself. It’s not about excluding anyone but is more about providing a platform for the talents, issues and themes that are unique to women of colour and allowing these experiences to be nurtured and supported. 
This is our first session and we hope to have them occur monthly at least and have women view SIMPLYGorgeous as a place that supports all elements of beauty. Both physically and mentally. 
I was first approached by Deborah Johnson about the salon event earlier this year, and I instantly said yes. First, I was absolutely honoured that I would be moderating the first of what sounded like a fantastic new series celebrating black women doing great things in the arts. Second, was the opportunity to be in conversation with Ireonosen Okojie - who I first met and had the pleasure of being in conversation about her debut novel, Butterfly Fish, at the 2015 Ake Festival in Nigeria. This time about her very weird and very wonderful collection of short stories, Speak Gigantular. 


Book Chat with Irenosen Okojie at Ake Festival 2015. Photo via Ake Arts & Book Festival
Third, was the space. I can't speak for any other type of salon, but there is certainly something about black, Caribbean and/or African hair salons. I actually didn't go to a salon until I was probably 15. Prior to that, my mum either did my hair or I got it braided (but never in a salon). Being at a salon for the first time as a teenager, I noticed that any and everything was up for discussion. The salon really is a space where individual stories about identity, beauty, modern life and more happen. 

I will be honest, I stopped going to salon's regularly in 2010 and in the last seven years I have had an on and off relationship with it. Although in the last six months, the salon and I have rediscovered ourselves, the one thing that remains constant all these years is the conversations, music, laughter, waiting, waiting, waiting and more that comes with hair salon day. So, taking part in Sunday Chill Sessions was a pretty easy decision for me to make. 

'All That Glitters' by Annie Lee

I did also ask Deborah Johnson her inspiration behind the event:


Afro hair salons are such culturally relevant spaces for black women. We go to beautify, but also such great conversations and discussions are had and I wanted to explore this further. With the Sunday Chill Sessions I’m using the salon space in the artistic sense of the word as meeting room for creative minds. 

Irenosen Okojie's Speak Gigantular is also a great collection to launch the series with, as we will be discussing black female identity and how Okojie's work challenges its traditional perceptions. This was also echoed by Deborah Johnson, who explained her feelings after reading the collection: 
I came across Irenosen’s work just over a year ago when I first picked up "Speak Gigantular". I was enthralled and excited by the nuances of her narratives in the collection. I'd never come across such  left of field work from a black female writer before and it hooked me. Mainly because I felt the “black literature” I’d previously been exposed to was always of a certain hilt. Slave related. Female characters depicted in typical ways that bored and offended me. I related to her offbeat approach and Irenosen’s voice came as a refreshing find as I think the way her work challengers typical depictions of black female identity are important. 
So if you're in or around London (or know someone who is), come chill with us this Sunday, and be part of the first of an informal and relaxed event centred on literature, the arts and more. It's 12 - 2pm and free - although donations are being accepted for Ignite Africa Library - a Nigerian charity dedicated to the creative and literary development of teenagers and young adults in Nigeria and beyond. More details can be found here.

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I'm happy to announce that on Monday 3rd November I will be in conversation with Okey Ndibe, as part of African in Words exciting events hosting Okey Ndibe. 

Okey Ndibe is a novelist, political columnist and essayist whose first novel Arrows of Rain was published in 2000 as part of the Heinemann African Writers Series. His second novel, Foreign Gods Inc., was published at the beginning of this year to critical acclaim. This lover of African literature is both excited and nervous.I'm currently reading Foreign Gods and already I have so many questions to ask so I'm really looking forward to the event.

The event at the University of Sussex will begin at 4pm with a panel discussion, Travelling Nigeria: The Circulation of Politics, Art and Literature, with  Okey Ndibe (Brown University), Rebecca Jones (University of Birmingham), Uche Igwe (University of Sussex) and Kate Haines (University of Sussex). This session will be chaired by John Masterson (University of Sussex). This will be followed at 5:30pm with me in conversation with Okey Ndibe about his writing as well as Okey Ndibe reading from his latest novel Foreign Gods Inc. You can find out more on the events at Africa in Words. 


PS. I'd really love followers of the blog to get involved. So if you've read Foreign Gods Inc., and might have a question to ask Okey Ndibe, I'd love to know. I'll try my best to slip them into our conversation. 
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Another literary festival, but this time in Port Harcourt - the 2014 World Book Capital. From October 15 - 20, the Garden City Literary Festival will be taking place. The Garden City Literary Festival is the brain child of the Rainbow Book Club (RBC), founded in 2004 'to encourage a love for books and reading in Africa, with a focus on children'. Now in its fifth year, this literary event includes a book fair, writers workshops, literary forums, a symposium, performances and more. The event usually attracts some big names in literature and this years line-up of writers is amazing - Veronique Tadjo, Doreen Baingana, Chibundu Onuzo, Noo-Saro Wiwa, and Lizzy Attree. I have to say that I love the fact that an integral part of the festival includes activites for children, such as an essay competition, art, drama and writing workshops, and sessions to encourage children to read.

To find out more about the Garden City Literary Festival, check out their website as well as their blog, The Voice. 
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Book n Gauge is a literary event for book lovers, held at Debonairs bookstore. There's book and/or poetry readings and music - what's there not to love. Past editions featured writers such as Lola Shoneyin, Toni Kan, Jude Dibia and Bobo Omotayo. I knew of it but never really had the time to attend one. So imagine how happy I was when I was able to go to yesterdays event, which was the 10th edition. Even better, it featured Chuma Nwokolo reading from his latest book The Ghost of Sani Abacha. I really enjoyed Diaries of a Dead African so obviously I couldn't miss the opportunity to listen to Mr. Nwokolo read from his latest book. 


The Ghost of Sani Abacha contains 26 short stories of life and love in the aftermath of General Sani Abachi (a former military dictator in Nigeria) and Chuma Nwokolo read "B.O", a short story about a man with offensive body odour and "The Las' Foolscap", a short story about a father writing a confessional letter to his two children while in prison. I've been dying to read this book since I first heard about it, and from the stories that were read I know I'm really going to enjoy it when I finally do. 


I must add that Debonairs bookstore has a very lovely Nigerian literature section, so I treated myself to two new books, Nine Lives by El-Nukoya and Two Gone ... Still Counting by Oyindamola Affinnih, in addition to The Ghost of Sani Abacha. 


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Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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