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The original 1958 green Heinemann
hardcover by artist C.W Bacon
Things Fall Apart doesn't tend to make it onto my celebratory posts - as it was published in 1958 - but this year as I am focusing on art, I figure I've found a loophole :) - the fact that there have been many covers published since its 1958 publication. And I know, I know! Chinua Achebe has made it twice onto my celebratory posts - it wasn't my intention. But I must admit, it is pretty amazing that Things Fall Apart has had this many book covers in the last 55 years. With exception of the 1958 and 1959 covers, there are 36 covers in this post. And I'm sure there are plenty more out there.


1959 US edition black cover with a white
 and orange African mask. 
While looking up covers for this post, I came across A Conversation with Chinua Achebe in Transitions Magazine. So in 2008 (Friday, April 25 to be exact), David Chioni Moore and Analee Heath interviewed Chinua Achebe at his home on the Bard College campus in New York. Moore and Heath brought with them around 20 different editions of Things Fall Apart and discussed 50 years of blurbs, introductions, author photos and book covers. There's the 1958 Heinemann cover which Achebe 'felt ... was striking' when he first saw it. In 2008 (at the time of the interview) Achebe explains how he 'might have said something about the black man standing here on the cover. That's not how he would have been standing. I am speaking of his posture, and his dress, or the lack of it.' As well as the 1992 Everyman Library edition which was a beautiful book to Achebe:

'Well, this book is beautiful . . . , that's what I think. I think, with this edition, this book has arrived after a long journey, and has made it to the end ... It's a good book, and it's how books should be. This is how they used to be, and I'm happy for the book.' 
The interview is really fascinating, but sadly not available online (unless you have some sort of access to Transitions - it's from issue 100, which can be found on JSTOR). So, starting with some of the covers the Transition conversation focused on, here's a literary book cover tour of Achebe's Things Fall Apart.


The first Heinemann AWS edition, 1963, designed by Dennis Duerden. Image via Transitions
Fawcett premier paperback of the late 1960s. Image via Transitions 
Another Fawcett paperback from the 1970s - a film-based book cover.
On this 'film-based cover', Achebe explains that 'it's a representation of a film rendition of Things Fall Apart. I don't think many people know about that film, but it was made by an American lawyer in Hollywood, Edward Mosk, and his wife Fern, in the early 1970s. The woman on the cover was in the film - Elizabeth of Toro, a Ugandan actress, and the daughter of the king of Toro. The fellow on the cover is from French-speaking West Africa - he was a Senegalese actor who was living in the United States.' As for the 1976 Heinemann cover, Achebe 'quite frankly' didn't know what to make of it.

Heinemann African Writers Series cover from 1976. 
Mid-1980s Heinemann African Writers Series edition.
1992 Everyman's Library Edition
... and here are the other covers I found, including the Spanish and isiXhosa editions. There's also a really interesting article in Chimurenga by Sean O'Toole which goes on a visual history of Things Fall Apart.


Charting the evolution of Achebe's covers, Moore ends the conversation by asking Achebe what he would expect will be on the cover of Things Fall Apart for the 100th anniversary edition?:
'We started in 1958 with a blurb about primitive society from the inside, then moved to late '60s and '70s more revolutionary, more violent, more politicized imagery, on to more abstract 1980s presentations, and finally an august world literature treatment here in 2008.'
Well in 2058, Chinua Achebe hoped that ' ... references to the exotic or the primitive or the Other will have gone ... and that whatever is happening in Africa will be handled just as something happening in Australia, America or elsewhere.'
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For my second celebratory post I go to the book covers of Chinua Achebe, but not just any of his covers. I focus on the series designed by Cuban-American illustrator and artist, Edel Rodriguez, with art direction from Helen Yentus, for the re-issue of Achebe's books for Random House (Anchor Books/Vintage between 2008 and 2010). There is something wonderful about a series of books being redesigned together, and I remember the first time I saw some of the book covers in person - it was in 2013 at Busboys and Poets in DC - and I was in love with everything about them.


Busboys and Poets where I first saw Edel Rodriguez's cover designs of Chinua Achebe's books in real life.

Well, here are the 11 book covers Rodriguez designed. From Things Fall Apart to The Education of a British-Protected Child. 

Cover designs by Edel Rodriguez for the re-issue of Chinua Achebe's books

Rodriguez's page gives an insight into the many rough sketches and ideas for the book covers he has, as well as the hand lettering, before he settled on the final one. The whole process is amazing and it's really wonderful to be able to see it - from his sketches to the final pieces, as well as the ones that didn't make it (which are still absolutely gorgeous). Things Fall Apart  was the first piece Edel Rodriguez was commissioned to do - here he shares the final art, the hand lettering and the rough sketches. I love the artistic depiction of things literally falling apart.

Final art


All images of Things Fall Apart via Drawger

From there he did 10 more. Here's the final art work for No Longer at Ease, as well as the 12 different sketches Rodriguez worked on for the book cover.

Final art
All images of No Longer at Ease via Drawger
... and the images for Chike and the River, which he also illustrated.


All images for Chike and the River via Drawger

So so gorgeous, and the rest of Edel Rodriguez's sketches and the final artwork for Achebe's covers can all be found on Drawger. 
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www.foto-j.com
"The Tejuosho bus stop is a stone’s throw from where I stand. It is a tangle of traffic – mostly danfos and molues – that one might be tempted to describe as one of the densest spots of human activity in the city, if only there weren’t so many others: Ojuelegba, Ikeja, Oshodi, Isolo, Ketu, Ojota". (Teju Cole, 'Every Day is for The Thief' p.150)

This month I'm celebrating Nigeria's literary history and my second post pays homage to the city where I was born and raised, which as the quote above shows can be pretty dense. I love cities and I've always been fascinated by them - probably why I study them in the context of development. I also love how you can learn about new cities through the work of fiction. So if you've never been to Lagos, what better way to explore the city than through the pages of a novel. 

For this list, I'm focusing solely on books in my library - which means I'll probably miss out on quite a bit (e.g. Odio Ofeimun’s Lagos of the Poets). As I'm looking at books published since 1960 I am unable to include Cyprian Ekwensi’s People of the City (1956). I also was not sure whether to include books that begin in Lagos and then spend the rest of the story in a different place (e.g. A Squatter's Tale by Ike Oguine and Eyo by Abidemi Sanusi). In the end, I decided to include the books that are either solely set in Lagos or at least spend a substantial amount of time there. 


These books tell tales of Lagos from Independence to present day, with the military years in between. There are stories of corruption, the stark contrast between rural and urban life, young love, slums and street life, the informal economy, challenging tradition, high society, power cuts, public transport and traffic. To borrow the title of the 2010 BBC documentary 'Welcome to Lagos'. I hope you enjoy it. 

No Longer At Ease by Chinua Achebe (1960)

The story of Obi Okonkwo, the grandson of Okonkwo from Things Fall Apart who returnd to Nigeria after four years studying English in England. He gets a job as a civil servant in Lagos and here is where corruption (which is made all the more easier by the moral and physical isolation of family in a big city like Lagos) comes a-knocking. There's also a focus on how the growth of post-Independent Lagos is money and the desire for prosperity and money - something not found in rural Nigeria.



The Joys of Motherhood by Buchi Emecheta (1979)

Through the life of Nnu Ego, 
The Joys of Motherhood explores what it means to be a mother (and a woman) in a Nigeria where traditions and customs are changing. Largely set in Lagos, we also get to see the contrast between rural Ibuza (traditional values and lifestyles are maintained here) and urban Lagos (traditional values succumb to the pressures of Western education, capitalism and the mixing of different ethnicities and cultures. 


Waiting for an Angel by Helon Habila (2002)

Set in Lagos in the 90s during military rule, Waiting for an Angel is based around Lomba - a young aspiring writer and poet working for a local newspaper and now political prisoner. Through a number or interconnected short stories we not only learn about Lomba's life as a prisoner, but also his life prior to becoming one. Like the Lagos neighbourhood of 'Poverty Street' where he lives and his neighbours, as well as general life in Lagos during the military regime - curfews, petrol scarcity and subsequent queues, jungle justice. To further show the ability of literature to introduce you to aspects of a city's history, there is a part in the story where Lomba visits the old slave port of Badagry.


Graceland by Chris Abani (2004)

Elvis, is a teenager living in the slums of Lagos with his father, his girlfriend and her kids. He spends his days not in school but on the beach trying to make a living as an Elvis impersonator. As his job as does not seem to make him enough money, he turns into a life of crime - thanks to his friend Redemption. More than life in a Lagos slum, this one shows the influence of American culture (music, film ... Elvis) on a young boy in Nigeria. 


Everything Good Will Come by Sefi Atta (2005)

Set in Nigeria (well Lagos) and then the UK and then back to Nigeria again, Everything Good Will Come (told through Enitan) is about an unlikely friendship between Enitan and Sheri which starts from childhood and continues to adulthood. Their friendship may form the backdrop, but this novel gives a sense of life in Lagos and of Lagosians. Similar to Waiting for an Angel, it is set during a time of military rule in Nigeria. 



Every Day is for The Thief by Teju Cole (2007)
Part-fiction, part-memoir, Every Day is for The Thief is an account of a Nigerian returning home - to Lagos - after many years in the States. It explores the narrators experiences of contemporary Lagos life. Power cuts, noisy generators, traffic, bus conductors, bookshops, corruption, the Muson centre, the Jazzhole and the slave trade. Possibly one of my favourite books on Lagos. 
London Life, Lagos Living by Bobo Omotayo (2011) 

This is a collection of 37 short Lagos-life observations turned 'stories'. If you ever wanted to know how the other half lives. By that I mean the wayfarer wearing, Veuve Clicquot drinking, social climbers in Lagos high society this satire on today's Lagosians - where image is everything - does just that. 

The Spider King's Daughter by Chibundu Onuzo (2012) 

A tale of young love in modern-day Lagos. 17-year old Abike Johnson is the daughter of the Spider King - Olumide Johnson, a business tycoon. On the other side of the city is Runner G, a street hawker selling ice-cream ob the busy Lagos roads. An unlikely friendship develops between Abike and Runner G which blossoms into love. The novel comes alive in its descriptions of Lagos and portrayal of a street hawker's life, the informal economy, the surroundings in which hawkers and most of the urban poor in Lagos live in. 

Love is Power, or Something Like That by A. Igoni Barrett (2013)

There are nine stories in this collection and while not all are set in Lagos (or even Nigeria - one is set in Nairobi), Lagos does run through Love is Power. There's The Dream Chaser  about a young boy who spends his days in a cyber cafe pretending to be a woman and online and possibly one of my favourite short stories on Lagos, My Smelling Mouth Problem, on the daily troubles a young commuter faces getting around Lagos thanks to his 'smelling mouth'.



11:35 2 Comments
Unlike many, I was late to discover the legend that was Chinua Achebe. Being Nigerian I had heard many people talk about his great works, but I had never read anything he wrote. I finally read his first novel Things Fall Apart in the beginning of January 2012. It was then I realised why he was so acclaimed - he rewrote the story of Africa and Africans that was perpetuated during colonialism.

I was in class about to teach when I heard the news that he had passed away. I took a few moments of silence to mourn the loss of a great writer. At the end of the class, a student of mine read the news and asked 'Who was Chinua Achebe?' To which I replied, 'One of the greatest writers of our time'. And he truly was. I may have fallen in love with his writing at a very late stage in my life, but I am grateful that I discovered it when I did. So thank you sir for great literature. Rest in Peace!!!

This is not an exhaustive list, but to celebrate a literary icon, here's a look at some his novels, memoirs, short story collections, essays and more. 








08:55 4 Comments
Chinua Achebe, author of Things Fall Apart and No Longer at Ease (to name a few), and founding editor of Heinemann's African Writers Series needs no introduction. He is after all one of the most important living African writers. There Was A Country: A Personal History of Biafra, Chinua Achebe's long awaited memoir, is set to be released on September 6th in the UK and October 11th in the US (according to Amazon.com). I am unsure when it will be released in Nigeria. Here's the synopsis (from Penguin, the publishers website):


Chinua Achebe, the author of Things Fall Apart, is a writer whose moral courage and storytelling gifts have left an enduring stamp on world literature. There Was a Country is his long-awaited account of coming of age during the defining experienced of his life: the Nigerian Civil War, also known as the Biafran War of 1967 - 1970. It became infamous around the world for its impact on the Biafrans, who were starved to death by the Nigerian government in one of the twentieth century's greatest humanitarian disasters.


Caught up in the atrocities were Chinua Achebe and his young family. Achebe, already a world-renowed novelist, served his Biafran homeland as a roving cultural ambassador, witnessing the war's full horror first-hand. Immediately after the war, he took an academic post in the United States, and for over forty years he has maintained a considered silence on those terrible years, addressing them only obliquely through his poetry. Now, years in the making, comes his towering reckoning with one of modern Africa's most fateful experiences, both as he lived it and he has now come to understand it. 


Marrying history and memoir, with the author's poetry woven throughout, There Was a Country is a distillation of vivid observation and considered research and reflection. It relates Nigeria's birth pangs in the context of Achebe's own development as a man and a writer, and examines the role of the artist in times of war. 


I only read Things Fall Apart and No Longer at Ease for the first time earlier this year (I know, terrible), and it was only after reading them that I finally understood why Chinua Achebe is the legend that he is. So I'm pretty excited about There Was a Country and I'm really looking forward to reading it. 
18:28 2 Comments
I am always celebrating the amazing female African writers out there, but today I thought I'd switch it up. It is Father's Day after all. From Achebe to Tutuola and Abani to Cole, there are some amazing Nigerian authors (and playwrights) out there and I just wanted to share some of their amazing works. Enjoy!!! And to my father, and all the other father's out there. Happy Father's Day!!!




 
 
 
 


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About me

Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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