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Today brings the final part of this extra, extra special 'Meet' series with the novella An Indigo Song for Paradise by Efe Tokunbo Okogu. 

Efe Tokunbo Okogu is a Nigerian writer who was born in the UK on Dia de los Muertos. He now lives in Mexico where he is developing various projects in the areas of holistic health, body-mind activation, spiritual science studies, and multi-disciplinary artistic expression. His words have been heard live and published in various magazines, literary journals and anthologies in digital and print form. His novelette, Proposition 23 was nominated for the 2013 British Science Fiction Association awards, translated into Italian, and is available online. He believes that life is real SF and far stranger than anyone can conceive.

There is a lot going on in An Indigo Song for Paradise, and I have so many questions to ask, but I’ll start with, how did the story came about?
First up, I'd like to give a shout out to the Jaguars in the Cave, kicking cosmic ass on the daily. As for the novella, the story began with the line, ‘My father always told me no one owes you a living. I took that to mean “fuck off kid” so I did, signed up to TerraCorp straight outta high school’ ... Everything else just flowed from there.

Paradise City also seems like a pretty fucked up place with evil corporations ruining the environment, brainwashing us, not caring about children (which brought to mind what’s happening in Flint), gangs everywhere and so on. 
Could you speak to the themes of corporate greed, evil corporations and so on in the story? And is our only way out a xombie apocalypse?
The evil machinations of the greedy people who run most of the world’s corporations and indeed governments is a theme that is increasingly entering the public mainstream consciousness. I recently found out that the richest 62 individuals in the world own as much wealth as the poorest 50%. If those 3.5 billion people were to meet those 62 people face to face, what do you think would happen? 

Really, Really, Really Rich. Image via CNN Money
Thanks to sites like Wikileaks, Conspiracy Theory is proving itself to be Conspiracy Fact about how the system operates. Intentionally poisoning the air we breathe, the food we eat, the water we drink and the minds we operate in order to make a profit and keep the people from seeing the truth or believing it when they do hear it might appear to be clever tactics, but those responsible forget that they must also suffer the consequences for the whole world is an intricate and finely balanced interdependent ecosystem.

In other words, we are one being, each of us akin to individual cells in a larger organism. Those who forget this truth lose their ability to empathize with others and begin to act on selfish desire alone without consideration for the consequences to the rest of organism, similar to cancer cells. Rather than blame or demonise them however, we should understand that THEY are sick with a spiritual malady which affects most human, and the only cure is for each of us to be the change we seek in the world. Meanwhile, 50% of the planet's wildlife has gone extinct in the past 40 years alone thanks to human activities so the sooner we start the better because I have no doubt that if we do not clean up our mess, mother nature will do it for us. The last time such a drastic move was necessary, there was a great flood, stories of which are found in ancient myths and legends throughout the world. The next time will probably be fire in order to purify the non-biodegradable plastic, fragments of which have been found in plankton, the base of the planets's entire food chain. Can the Apocalypse be avoided? Only God knows.

Also, what is Paradise City?
Paradise City is a city on an alternative Earth, a dark and stark mirror to our own reality. In 2003, Nick Bostrom published the 'Simulation Hypothesis' according to which,
   
‘A technologically mature "posthuman" civilisation would have enormous computing power. Based on this empirical fact, the simulation argument shows that at least one of the following propositions is true:

   1. The fraction of human-level civilisations that reach a post-human stage is very close to zero;
   2. The fraction of post-human civilisations that are interested in running ancestor-simulations is very close to zero;
   3. The fraction of all people with our kind of experiences that are living in a simulation is very close to one.

 If (1) is true, then we will almost certainly go extinct before reaching post-humanity. If (2) is true, then there must be a strong convergence among the courses of advanced civilisations so that virtually none contains any relatively wealthy individuals who desire to run ancestor-simulations and are free to do so. If (3) is true, then we almost certainly live in a simulation. In the dark forest of our current ignorance, it seems sensible to apportion one’s credence roughly evenly between (1), (2), and (3).

Unless we are now living in a simulation, our descendants will almost certainly never run an ancestor-simulation.’

Paradise City is in Amerika, but the language of the huemen’s especially made me think this was set in a post-apocalyptic American city. This also brought to mind racial tensions - especially as the elite (the vampires) are white and the heumen’s are Black - could you speak to the themes of racial divides and tensions in the story?
One of the names of Paradise City is Amerika. It is located on a continent shaped like a gun which probably looks similar to Africa but as I stated, it is set on an alternate earth where the people speak like Americans. The reason for this is simple. In our world, the USA was built with the blood, sweat and tears of African slaves and the American Empire is till this day, run on the blood sweat and tears of African (and other non-white) slaves. Many of these modern day slaves live under the same conditions as the slaves of yesteryear. Most of them are given the illusion of freedom but nevertheless waste their lives slaving for the system in exchange for bad health in body and mind.

In Paradise City, as in our world, a minority population of Vampires live by sucking the blood (metaphorically speaking) of the rest of the people. As I mentioned earlier, the richest 62 people own as much wealth in our world as the poorest 50%. The fact that the vampires in Paradise City are white and the remaining huemen are people of colour was my way of addressing the racial divides and inequalities in our world. Till this day, the average person of colour has to work far harder to survive and thrive than the average white person. Till this day, the average person of colour is far more likely to be brutalised by the government (especially via the police or institutionally racist policies) than the average white person. Till this day, the portrayal of people of colour by the mainstream media are full of the kind of racist barbs that cause little black girls to think of white barbie dolls as beautiful and dark skinned ones as ugly so they use harmful chemicals to bleach their skin and straighten their hair, denying the sun/kissed blessings of their roots. Till this day, the educational system around the world teaches a distorted view that places the white race above all others. Till this day, the commonly used map of the world shows Africa as being far smaller than it is in reality as a psychological tactic to make Africans seem inferior. The list goes on and on and on...

There is also a lot of activism going on in the story, but I wanted to ask about what I felt was activism through music – there is also lot of music in this story. What was the significance of music in An Indigo Song for Paradise?
Music is a primordial and primal thing that touches people on a deep level, beyond the conscious mind, which is why it is an effective tool which people can use to free their minds from the false belief systems they have been programmed into them by the educational system, the media, the corrupted versions of religion, the legal system and society in general.
Music and Activism
Final question (which I’m asking everyone) what’s next?
Good question. The short answer is I don't know. With any luck, the long answer will be the apotheosis of wonderful.

... and that's a wrap on this series of interviews centred on the five AfroSFv2 novellas, with a protest story that has a lot of activism embedded in it. Thank you Efe Tokunbo Okogu for taking the time to answer the questions.
16:39 No Comments
Following his critically acclaimed 2012 anthology, AfroSF: Science Fiction by African Writers, Ivor Hartmann came back with Volume 2 last December. Departing from the short story format (AfroSF had 22 of them), AfroSF Volume 2 contains five novellas from six African SF writers (no that is not a typo, as one story is a joint collaboration between Tade Thompson and Nick Wood). As Mark Bould writes, this 'change of format' is significant and 'represents a conscious commitment to the further development of the field - and of the writers within in.' So what's the verdict?

Without a doubt the stand out stories for me were novella 1 (The Last Pantheon by Nick Wood and Tade Thompson) and novella 3 (The Flying Man of Stone by  Dilman Dila). I also really enjoyed reading novella 4 (VIII by Andrew Dakalira), although I wanted more. Now with novella 2 (Hell Freezes Over by Mame Bougouma Diene), I had mixed feelings - enjoying the second half more than I did the first. Finally, novella 5 (An Indigo Song for Paradise by Efe Tokunbo Okogu) was all kinds of crazy, but with hindsight I wonder if that is what the author was going for. So what were they about?

In The Last Pantheon, Nick Wood and Tade Thompson give us a glimpse of Africa's post-colonial history through the lives of feuding alien brothers who came to our planet around 50,000 years ago (ancient, much!). The story starts in the late 1970s, but it goes back and forth (mainly between the 1960s and 2015 - although there is some focus on 50,000 BP) and tracks their story as gods turned superheroes turned rivalling siblings. Black-Power and Pan-African have been part of a lot of our history - yes, Black-Power was in Katanga Province when Patrice Lumumba was assassinated. The brothers could have probably played a more significant (and positive) role in our development, but one brother did not want to take sides politically and instead focused on more superhero dealings - you know protecting the innocent and whatnot. Now it's 2015, the brother's have not been in contact for decades - one in Cape Town, the other in Lagos - and there is now a fight being promoted to reunite the feuding brothers. The Last Pantheon tells elements of Africa's political history in a great way, and if like me you are interested in the political economy of African countries, it's a wonderful read told from a unique perspective - that of superheroes. 

In Hell Freezes Over, the world has become dark and eerie, and if that's not bad enough, it might be coming to an end (hello post-apocalyptic world!). In the future world, we have five Castes, who each have a part to play - The Moles (who dug and borrowed),  The Fish (who dove and swam), The (engineering) Ants, The (agricultural) Bees and The (labour intensive) Beasts. The novella is broken into two parts. In the first part, which seems to be present day (in the context of the novella) we spend a lot of time with The Fish, and one in particular - Ari. The Fish travel far distances, going to towns and cities that have been submerged in search of food, materials, power sources and really what is needed, as ice is coming (clearly not a good thing) and they will be living in caves when this eventually happens. In this part we know there is some tension between the Moles and Fish, but it's not quite clear - but we do know that they have a vendetta against the Fish, who used to rule once.

Part 2 takes us back in time to when The Fish ruled, about a hundred years earlier, and here we meet Rina (she's a Mole woman). Now a Mole woman's life is set in stone and determined to a large extent by her results in the 'Fitness & Fertility' test. Basically if after the test you are barren (a Mole woman's job seems pretty much to populate and re-populate) you have two options: 1) you are cast away from your Caste and you hope another of the male Castes would take you as a wife; 2) you join the comfort houses to provide services for other Castes. Rina chose the second. Rina, I liked though - she didn't follow the norm. Yes, she went to the comfort house, but a revolt was coming and she joined it and played quite a crucial part in it. I do wonder though, if ever there was a history of the Moles take down of The Fish (clearly, I'm getting ahead of myself here) would Rina be included in it or would she be in the shadows - with her brother, the leader, discussed more? My fantasy history of this world aside, we see how - even in a world that is slowly being destroyed - power still dominates.

The Flying Man of the Stone, was another beautiful - if bloody - tale. There has been a civil war in an unnamed African country, and while Katong town was previously left untouched, as the story begins it has now been attacked by soldiers in search of recruits. Our protagonist, Kera (a teenage boy), and his father, Baba Chuma, are the only survivors in their family - Kera's mother and two younger siblings are dead and his older brother captured (pretty much dead). They find a hiding place - a cave in the plateau with charcoal drawings, drawings that came alive and captured Kera's father. The cave, it seems was home to spirits (more like ancient alien race) who transformed Baba (younger, tech savvy and he now even speaks fluent English) as they needed his help. They gave him rocks, which were really an advanced technology that enabled Baba to create wonderful inventions, such as a replicating machine or the flying machine and gun he makes for Kera to rescue his brother. If only it was so simple, as Baba's good intentions lead to unforeseen consequences. 

I really liked Dilman's writing in this story and I have really been meaning to read his collection, A Killing in the Sun. Reading this novella spurred me to do so. In Chapter 2 of the novella, he excellently captures the downfall of Katong town, which went from a worker's camp to a divided home for Indian traders, English colonial governors and mine owners and African workers - 'servants to the foreigners'. A military coup, death of a charismatic General, bloody coup after bloody coup, and a civil war later brings us to Katong town today. This section is quite key to the story as it reveals how colonialism lingers today in the town and with its inhabitants - particularly with one character's distrust of Europeans and non-African religions and his devotion to traditional religions and the ancestral spirits. This leads to an uprising - Baba's inventions have been taken to mean the ancestors are back - which spirals out of control. This story reveals how terrifying humans, and our killer instincts, can be. 

On to VIII. I read the last line, 'War had begun', and I could not believe it was over. I honestly felt like there was more, or at least there should be. It is 2023, and the 8th billion person is about to be born. A cause for celebration, and there will be one as preparations are under way. On a beach near Lake Malawi, a spaceship has crashed and with it a series of events unfold - increasing murders in Malawi and beyond, and the Roman numerals, VIII, on some of the dead bodies. Um! What's going on? Multiple characters are in this story, but it doesn't feel overwhelming or confusing. With time we find out what exactly is going on. It's an alien invasion, but not as you might think. We find out from Sir Gregory - who was pretty bad ass - who finally reveals his secret and the reasons behind the killings. This has been coming for a really, really, really, really, really long time and the aliens have been waiting until we were at 8 billion for their fun to begin. Here, I got Predator vibes (in a hunting-humans-for-sport way). 

I liked this story. It had a very cinematic feel to it (I also got Independence Day vibes - maybe it's the alien invasion, the President ...).  I could see Onani in his white 2006 Corolla listening to R&B, the female prisoner in Chilinde Barracks being held captive, the road blocks, the conference room in Lilongwe ... Still the story ends abruptly, which is sad because it could certainly have gone on. As it ends, we know there's going to be a bloody battle between the Metsu's and the guma's, but who will win? I guess it's entirely up to us to decide.

Last, but certainly not the least is An Indigo Song for Paradise, which was all kinds of weird, but I wonder if that's what Okogu was going for because 'Paradise City, aka God's clock, aka the PC', seems to be all kinds of crazy. It starts with Ecila, who finds a metallic object after a storm which transports him instantly from his village to Para City - which used to be part of a once great city before the emperor departed and took the brightest and best with him. What Paradise City is now is pretty unclear - even for its inhabitants. Is it 'an illusion, a simulation on a hyper-dimensional computer', a 'criminal organisation', or something else? In between there are huemen's, vampires, xombie's, TerraCorp's and more. There's also a lot going on - a protest against TerraCorp who is 'terrorising the planet', what looks like a heist/or a break-in to retrieve an object from TerraCorp (an object that is pretty similar to the one that transported Ecila to PC), cops trying to break the riots, a science fair, a music award show and towards the end a xombie apocalypse (don't worry, this was not all in one night). There is clearly frustration in Para City, with the majority huemen mad at the ruling minority vampire elite and their corruption and devastation of the city. I wonder, is this story placing a mirror onto society, corporations, ruling elites, the like? Also, will violence, and a xombie apocalypse, be the only way to deal with the social injustices that are present (and have been present) for a really long time in this world?

Having read the anthology, there is an underlying theme of violence (in different forms) in this collection - the political violence in African countries, but also the feuding superhero brothers and their fight to death; the Mole take down and the violence that comes with it and the resulting doom of the Fish 100 years later; the civil war and the uprising in Katong Town; the alien invasion and killings in 2023 Malawi; and the madness in Paradise City (there was a lot of killing there). Scratch through that and there is some serious social commentary about the state of affairs - be it in the past with Africa's political history post-independence to the injustices that arise from corporate and elite greed. Having said that, this is also a really fun collection, and while I definitely enjoyed some of the stories more than others, Ivor Hartmann should be commended again for bringing together such innovative and imaginative stories. 

I still would have loved some female voices up in here (something I mentioned previously). Fear not! There has been a call for submissions for AfroSFv3 - a spaced themed anthology - and I remain optimistic that the brilliant female voices in African SF won't be left out.  Deadline for submissions are December 1 2016. I would like to thank Ivor Hartmann for the ARC of AfroSFv2, and I eagerly await v3.
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Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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