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On Sunday June 4 2017, I will be in conversation with Ireonsen Okojie as part of SIMPLYGorgeous' first in their Sunday Chill Sessions - a series of events centred around the arts. A family owned afro hair salon, SIMPLYGorgeous  is taking inspiration from the idea of a salon as a place for discussion and learning to host these Sunday Chill Sessions. Through it, they aim to provide a space for likeminded women to convene, discuss ideas, identity and be inspired. As the Deborah Johnson - the brains behind the event explains: 
Our aim with these events is to offer women of colour a kick back offline environment to be inspired and connect. In a nutshell, it’s creating a space that I would’ve loved to already have found. A place that champions and supports arts from the experience and perspectives of women such as myself. It’s not about excluding anyone but is more about providing a platform for the talents, issues and themes that are unique to women of colour and allowing these experiences to be nurtured and supported. 
This is our first session and we hope to have them occur monthly at least and have women view SIMPLYGorgeous as a place that supports all elements of beauty. Both physically and mentally. 
I was first approached by Deborah Johnson about the salon event earlier this year, and I instantly said yes. First, I was absolutely honoured that I would be moderating the first of what sounded like a fantastic new series celebrating black women doing great things in the arts. Second, was the opportunity to be in conversation with Ireonosen Okojie - who I first met and had the pleasure of being in conversation about her debut novel, Butterfly Fish, at the 2015 Ake Festival in Nigeria. This time about her very weird and very wonderful collection of short stories, Speak Gigantular. 


Book Chat with Irenosen Okojie at Ake Festival 2015. Photo via Ake Arts & Book Festival
Third, was the space. I can't speak for any other type of salon, but there is certainly something about black, Caribbean and/or African hair salons. I actually didn't go to a salon until I was probably 15. Prior to that, my mum either did my hair or I got it braided (but never in a salon). Being at a salon for the first time as a teenager, I noticed that any and everything was up for discussion. The salon really is a space where individual stories about identity, beauty, modern life and more happen. 

I will be honest, I stopped going to salon's regularly in 2010 and in the last seven years I have had an on and off relationship with it. Although in the last six months, the salon and I have rediscovered ourselves, the one thing that remains constant all these years is the conversations, music, laughter, waiting, waiting, waiting and more that comes with hair salon day. So, taking part in Sunday Chill Sessions was a pretty easy decision for me to make. 

'All That Glitters' by Annie Lee

I did also ask Deborah Johnson her inspiration behind the event:


Afro hair salons are such culturally relevant spaces for black women. We go to beautify, but also such great conversations and discussions are had and I wanted to explore this further. With the Sunday Chill Sessions I’m using the salon space in the artistic sense of the word as meeting room for creative minds. 

Irenosen Okojie's Speak Gigantular is also a great collection to launch the series with, as we will be discussing black female identity and how Okojie's work challenges its traditional perceptions. This was also echoed by Deborah Johnson, who explained her feelings after reading the collection: 
I came across Irenosen’s work just over a year ago when I first picked up "Speak Gigantular". I was enthralled and excited by the nuances of her narratives in the collection. I'd never come across such  left of field work from a black female writer before and it hooked me. Mainly because I felt the “black literature” I’d previously been exposed to was always of a certain hilt. Slave related. Female characters depicted in typical ways that bored and offended me. I related to her offbeat approach and Irenosen’s voice came as a refreshing find as I think the way her work challengers typical depictions of black female identity are important. 
So if you're in or around London (or know someone who is), come chill with us this Sunday, and be part of the first of an informal and relaxed event centred on literature, the arts and more. It's 12 - 2pm and free - although donations are being accepted for Ignite Africa Library - a Nigerian charity dedicated to the creative and literary development of teenagers and young adults in Nigeria and beyond. More details can be found here.

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In less than a month, Afrikult. will be hosting the third and final part of their Words that Travel series - and I must say I am super excited that I finally get to attend one. Throughout 2016, each event in the series focused on particular mediums and traditions of African literature. The first event focused on poetry, the second on storytelling, and the third will feature African music. In Afrikult.'s own words: 

Words that Travel aims to showcase the wonderful and rich diversity within the African literary genre. Words that Travel: Rhythms of Literature is the final installment for the 2016 series, capturing the synergy between music and literature. The all day event will be held at SOAS, University of London in the Djam Lecture Theatre (DLT) and the Junior Common Room (JCR)

So what's in store?

Publishers’ Market | Location: JCR, Time: 12pm – 6pm 
Open Lit Space featured author, poet and musician: Irenosen Okojie, Siana Bangura and Prodigies of Nature | Location: JCR, Time: 5pm – 7pm 
African Food Court including MAMINA, Waakye Leaf, and Good Cake Day | Location: JCR, Time: 12pm – 7pm 
Performances including Baba Adesose, Dr. Martin Orwin, Chibundu Onuzo and Yomi Sode | Location: DLT, Doors open at 2pm 
LIVE Concert featuring Jally Kebba Susso and Seeds of Creation | Location: DLT, Doors open at 8pm

.... and the details of the all-day event:  

Date: Saturday 21 January 2017 
Doors open: 12 noon  
Venue: SOAS, University of London 
Admission: FREE for all day event, and £7 on the door for the LIVE concert! 

Register for Words that Travel: Rhythms of Literature HERE!


PS. Here's an exciting giveaway the Afrikult. team is hosting: 
Because we love reading and having access to digital books, we will have our Digital Reading Competition and Giveaway running from 9th January 2017 on Twitter! There are five exclusive prizes up for grabs so make sure you follow us on Twitter, Facebook, Instagram and Tumblr to get first dibs on the giveaways!
The full programme will be released in January 2017, but save the date and if you're in or near London Saturday 21 January come for a fun day of African literature and music organised by Afrikult.

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Next weekend I'll be at the British Library in London enjoying the wonderfulness that is Africa Writes. 



Over the course of 3 days, the Royal African Society will return with its annual (African) literature and book festival. This year Africa Writes turns 4 and - I didn't even think this was possible - but it looks even more exciting than in the previous years!!!! From the headline acts - In Conversation with Ben Okri and an evening of inspiring books with Hannah Pool - to a host of free events, here are some of the many free sessions I am looking forward to attending next weekend.  

African Creative Non-Fiction (Saturday 4 July, 14:30-15:30) with Ellah Wakatama Allfrey  in conversation with four non-fiction writers - Pede Hollist, Jackie Kay, Kwasi Kwarteng and Noo Saro Wiwa - where they will look at the creative possibilities of non-fiction. 

The 2015 Caine Prize Conversation (Saturday 4 July, 16:45 - 17:45) where the five shortlisted writers will be in conversation with 2009 winner E.C Osondu and Guardian First Book award winner Petina Gappah. 

New Nigerian Fiction (Sunday 5 Jul, 12:15 - 13:15) launching four debut novels - A. Igoni Barret's Blackass, Irenosen Okojie's Butterfly, E.C. Osondu's This House is Not for Sale, and Obinna Udenwe's Satans and Shaitans. These 4 authors will be in conversation with Ike Anya on their new releases and what new Nigerian fiction is. I'm just going to say upfront - a lot of books will be bought, so I better not forget my book bag :).

The Place of Literary Magazines in African Literature (Sunday 5 July, 13:30 - 14:30) with editors from SCARF, Sable, Kwani?, Chimurenga Chronic and Jalada, and chaired by Nana Yaa Mensah of New Statesman, this session reflects on the form and influence of literary magazines for African writing today. 

A stage reading of Sunday by Joy Gharoro-Akpojotor (Sunday 5 July, 16:00 - 17:00). Same-sex marriage was declared legal across the US on Friday, facebook is celebrating pride with profile pictures, and Pride was yesterday in London. Seen through the eyes of a family based in London, Sunday is a powerful exploration of love between Nigerian women, sexuality and religion. 

PS. This is just a preview of some of the awesomeness that will be happening next weekend in London. Head over to the Africa Writes website for the full programme.

PPS. I've got a pair of tickets for Friday's event - African Books to Inspire - which I'm just waiting to give away :). 
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Could it be? After months and months and months of cold, bleak, grey, miserable weather, is summer getting closer? I am trying not to get too excited - the weather has been better the last couple of weeks, and I'm really hoping the winter coat might soon be tucked away (maybe in a month - is that me being a bit optimistic and positive?). While I count down to glorious summer, I'm super excited that Africa Writes - the Royal African Society's African Literature and Book Festival - is back!!!


For the fourth year, authors, poets, publishers and lovers of (African) literature get to experience three glorious days of well ... African literature and books at the British Library.  Taking place from Friday 3 July to Sunday 5 July, Africa Writes 2015 programme includes a conversation with Ben Okri, an evening of books and inspiration (chaired by Hannah Pool) and an opportunity for aspiring writers to meet with people in the industry. 

A glimpse at Africa Writes 2014
Last year, my sister and I got to listen to Warsan Shire, Belinda Zhawi and other African women poets reclaim the feminine voice; while my mum and I listened to Chuma Nwokolo read excerpts from his anthology How to Spell Naija; Fatimah Kelleher chair a panel on African and Diaspora Travel writing in the 21st century; and was blessed to be in the audience while Wangui wa Goro was in conversation with Ama Ata Aidoo. Plus, I finally got to meet Ivor Hartmann and Tendai Huchu - and my mum reunited with a friend she hadn't seen for over 30 years. You can see why I'm excited!! 

So definitely check out their blog - it has cool features like 'Five Lists of African Literature [Africa Writes] Loves' - and join the conversation on Twitter (#AfricaWrites) to share what you're reading right now.
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Image via PEN World Voices. Art by Kenyan artist, Wangechi Mutu.

The 11th Annual PEN World Voices Festival of International Literature will bring together over 100 writers from around the world in New York from May 4 -10 2015. The best part - this year's 'new curatorial approach' is on the 'contemporary literary culture of the African continent and its diaspora'. 

The festival will be co-curated by Chimamanda Adichie (who will also deliver the annual Arthur Miller Freedom to Write Lecture on the closing night) and the Festival Director, László Jakab Orsós. Orsós, speaking on the festival, said:
"Focusing on the African continent is an ambitious undertaking ... We cannot, in one week-long Festival, even come close to presenting the entirety of the riveting literary landscapes throughout Africa, but we’re excited to present a select group of writers and artists who, I believe, will inspire New York audiences with their uncompromising and brilliant work. It’s our privilege to put the spotlight on these writers, and it is my hope that they will challenge all of us to create art that is bravely subversive and relevant to our time.”
The Festival, which will have events taking place across New York City, will feature both established and emerging writers and artists from around the globe - including Teju Cole, Edwidge Danticat, Mona Eltahawy, Richard Flanagan, Aminatta Forna, Yahya Hassan, Rachel Kushner, Alain Mabanckou, Achille Mbembe, Nico Muhly, Sigrid Nunez, Michael Ondaatje, Luc Sante, Craig Seligman, Tracy K. Smith, and Tom Stoppard.

The press release states that there will be a:
'rich and eclectic variety of conversations, readings, workshops, and performances celebrating the power of the written word as a vital element of public discourse'. 
Festival highlights, and there are many, include a diverse group of writers including Aminatta Forna, Lola Shoneyin, NgÅ©gÄ© wa Thiong'o and Binyavanga Wainaina, reading commissioned work exploring their imagined scenarios for global culture and society in 2050; 'a salon-style gathering' where the audience will mingle with writers and artists, including Boubacar Boris Diop, Billy Kahora, Alain Mabanckou, Yvonne Adhiambo Owuor and Véronique Tadjo, over drinks - as hosts lead conversations with the audience on issues vital to shaping deeper understanding between African nations and the West. The Festival will also include panels exploring the African diaspora, the future of queer communities in Africa, the vibrant poetry scenes across the continent, and the roles of bloggers in the literary landscape. Find out more about what's on, here.

While it is impossible to expect the festival to be able to cover the entire depth and breadth of literature on the continent and in the Diaspora (the press release even raises that), when looking at the line-up, I couldn't help but think about Maaza Mengiste's tweets last year on the dominance of certain African countries on the literary world stage. 

There are definitely some amazing writers attending this event, who I would love to see (honestly, I am so excited about this event and I would love to be in New York for it). Still, African literature is also so diverse and this Festival could have been an awesome space to showcase even more of that richness and vibrancy. It seems I wasn't the only one thinking that, as Arabic Literature (in English) asked, 'Which African Voices?'. The post also points to the fact that the Festival 'could be an opportunity to explore things differently', such as French-language African writing from Algeria and Morocco, 'but the opportunity is missed'. 


Where are the North African voices? Image via: Twitter
This doesn't make the Festival any less great and certainly shouldn't take away from the fact that there is going to be a week long festival in May in different parts of New York celebrating African literature. For that, I am thankful, very excited, and if I am being honest seriously jealous that it's happening in New York. 

Find out more about the Festival on the 2015 PEN World Voices website. Tickets for all Festival events are also available there.
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For almost two weeks, Okey Ndibe was in the UK on a tour. In that time he was a featured speaker at the Arrow of God at 50 Conference and visited a number of UK cities and universities including University of Bristol, Blackwells in Newcastle, University of Birmingham, Centre for African Studies at SOAS, and Book and Kitchen in London. His last stop was at the University of Sussex, an event hosted by Africa in Words, Sussex Africa Centre and the School of English. So on Monday November 3rd, I got to meet and interview Okey Ndibe. This was after an insightful panel discussion on travel, politics, literature and Nigerian writing at the University of Sussex. 

As part of the panel, Travelling Nigeria: The Circulation of Politics, Art and Literature, Okey Ndibe spoke on literature always being pertinent to the way people's images are formed and how Independence was the opportunity to reshape the narrative of Africans that existed. Ndibe explains that Nigeria was a country conceived in hope, but nurtured into hopelessness by its leaders but also its citizens and how as a columnist he is harsh towards Nigeria, which is currently a portrait of mediocrity and failure. This he says because he is confident that Nigeria can do better. His talk centred on how the image of Nigeria has become an important subject matter for writers and quoting Teju Cole explains that 'the writers obligation isn't to show a good picture. It is to show a real one' (I am paraphrasing here). He explains how Nigerian literature reflects 'this angst, this sense of disillusionment that we aren't where we need to be' and how through writing we are holding a mirror up in the hope that we will do better. 
 
Following on from Okey Ndibe, Rebecca Jones, from University of Birmingham, spoke on Nigerian travel writing, such as Folarin Kolawole and Pelu Awofeso, who project a very positive view of Nigeria through their writing. Uche Igwe, from University of Sussex, brought a political perspective and explored the role of  literature, and particularly the works of Achebe (The Trouble with Nigeria), Soyinka (The Trials of Brother Jero) and Ndibe (Foreign Gods, Inc.) in politics and corruption. His presentation focused on how everyone in Nigeria is trying to take his/her own national cake. Finally, Kate Haines (also from Sussex) and from Africa in Words explored the relationship between memory, history and how texts travel. She used the case of Farafina Press and their role in making Adichie's Purple Hibiscus big in Nigeria. A write-up of the panel can be found on Africa in Words.



The panel lasted close to two hours and while thoroughly enjoying the discussions I was also slightly panicking about the fact that my Q&A session was slowly approaching and I was asking myself – have I chosen the right questions to ask, will my focus not be academic enough for the space, would people be extremely bored listening to me questioning Okey Ndibe, would people even stay after the first session? Yes, even with seconds leading up to me walking to the front of the room to begin the session I was still terrified. Thankfully, once we started talking my nerves disappeared and it was truly amazing to sit with Okey Ndibe and have a conversation about Foreign Gods, Inc. Forgetting that my phone did not have enough space, I was unable to record the interview so this post is me pulling together my scribbles and thoughts to capture what I remember of my conversation with Okey Ndibe. 

PS. I tried to summarise as much as I could, but as I also really wanted to give justice to the conversation just a heads up that this post is longer than usual, but it's worth it.
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About me

Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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