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Map of Africa divided into kingdoms and provinces. Source: Digital Commonwealth

Almost two years ago, I shared a list of 19 works of historical fiction by African writers, which included Manu Herbstein's Ama, personifying the experiences of eighteenth century Africans during the slave trade, Youseef Ziedan's Azazeel set in 5th century AD and crafts the tale of a Coptic monk's journey from Upper Egypt to Alexandria and then Syria during a time of massive upheaval in the early Church, and Gabriella Ghermandi's Queen of Flower which tells the story of the Italian occupation of Ethiopia.



This list was followed up earlier this year with five 'new' works of historical fiction from African writers .... which included Jennifer Nansubuga Makumbi's Kintu and Peter Kimani's Dance of the Jakaranda, as well as the forthcoming In the Palace of Flowers by Victoria Princewill inspired by the only existing first-person account of an Abyssinian slave in Iran.



Well, last month the LA Review of Books published an article on Reclaiming Africa's Stolen Histories through Fiction. In it, Lizzy Attree explores the works of African writers arguing that:
The courageous, probing works of Tshuma, Kimani, Attah, Owuor, Makumbi, and their cohort attempt to resurrect neglected narratives lost to the Kenyan, Zimbabwean, Ugandan, Ghanaian, and South African memory. By writing detailed personal stories, these authors reclaim ownership of a stolen history and lay the foundation for a future they'll write for themselves.

The article included an array of historical fiction by African writers - most of which I have pulled out. Not included are books that I featured in the previous two lists. 


Harmattan Rain by Ayesha Harruna Attah
Harmattan Rain follows three generations of women as they cope with family, love and life. A few years before Ghana’s independence, Lizzie-Achiaa’s lover disappears. Intent on finding him, she runs away from home. Akua Afriyie, Lizzie-Achiaa’s first daughter, strikes out on her own as a single parent in a country rocked by successive coups. Her daughter, Sugri grows up overprotected. She leaves home for university in New York, where she learns that sometimes one can have too much freedom. In the end, the secrets parents keep from their children eventually catch up with them.



Out of Darkness, Shining Light by Petina Gappah
The novel is about the last days of a Scottish explorer and missionary named David Livingstone, as well as the journey of his body from Zambia back to England. The book is 'narrated by his sharp-tongued cook, Halima, and a repressed African missionary, Jacob Wainwright,' and tells the tale of 'this harrowing 1,500-mile journey.'"

Dancing the Death Drill by Fred Khumalo
Paris, 1958. An Algerian waiter at the world famous restaurant, La Tour d'Argent, is arrested for the murder of two customers. As he awaits trial, his long-time friend, celebrated jazz musician and artist Jerry Moloto, is hounded by an opportunistic and ambitious journalist hoping to make a name for himself by being the first to reveal the real story behind the waiter's sudden extreme act of violence. Culling details from memory and from the waiter's own journals, the story emerges that he is actually Pitso Motaung, a mixed race South African who had volunteered to fight for the British army in the First World War. Through a tragic twist of fate, Pitso finds himself enlisted aboard the ill-fated SS Mendi the formidable warship sunk off the coast of the Isle of Wight, killing 646 people, including many black South African soldiers. Pitso witnesses many tragic events during the crossing and at the time of the sinking but one particularly cruel moment will stay with him for the rest of his life, resurfacing decades later to devastating effect.



Mount Pleasant by Patrice Nganang
In Cameroon in 1931, Sara is taken from her family and brought to Mount Pleasant as a gift for Sultan Njoya, the Bamum leader cast into exile by French colonialists, when she is just nine years old. Sara's story takes an unexpected turn when she is recognised by Bertha, the slave in charge of training Njoya's brides, as Nebu, the son she lost tragically years before. In her new life as a boy, she bears witness to the world of Sultan Njoya - a magical yet declining place of artistic and intellectual minds. Seven decades later, a student returns home to Cameroon to research the place it once was, and she finds Sara, silent for decades, ready to tell her story. In her serpentine tale, a lost kingdom lives again in the compromised intersection between flawed memory, tangled fiction, and faintly discernible truth. The award-winning novelist Patrice Nganang's lyrical and majestic Mount Pleasant is a resurrection of the world of early-twentieth-century Cameroon and an elegy for the men and women swept up in the forces of colonisation.



The Way of the Women by Marlene van Niekerk
How can you speak when speech has been taken away? When the only person listening refuses to understand? Milla, trapped in silence by a deadly paralysing illness, confined to her bed, struggles to make herself heard by her maidservant and now nurse, Agaat. Contrary, controlling, proud, secretly affectionate, the two women, servant and mistress, are more than matched.

Life for white farmers like Milla in the South Africa of the 1950s was full of promise - newly married, her future held the thrilling challenges of creating her own farm and perhaps one day raising children. Forty years later, the world Milla knew is as if seen in a mirror, and all she has left are memories and diaries. As death draws near, she looks back on good intentions and soured dreams, on a brutal marriage and a longed-for only son scarred by his parents' battles, and on a lifetime's tug-of-war with Agaat. As Milla's old white world recedes, in the new South Africa her guardian's is ever more filled with the prospect of freedom.



Dust by Yvonne Adhiambo Owuor
When a young man is gunned down in the streets of Nairobi, his grief-stricken father and sister bring his body back to their crumbling home in the Kenyan drylands. But the murder has stirred up memories long since buried, precipitating a series of events no one could have foreseen. As the truth unfolds, we come to learn the secrets held by this parched landscape, hidden deep within the shared past of a family and their conflicted nation. Spanning Kenya's turbulent 1950s and 1960s, Dust is spellbinding debut from a breathtaking new voice in literature.



The Old Drift by Namwali Serpell
On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift. Here begins the epic story of a small African nation, told by a mysterious swarm-like chorus that calls itself man’s greatest nemesis. The tale? A playful panorama of history, fairytale, romance and science fiction. The moral? To err is human.

In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives – their triumphs, errors, losses and hopes – form a symphony about what it means to be human. 

From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines – this gripping, unforgettable novel sweeps over the years and the globe, subverting expectations along the way. Exploding with colour and energy, The Old Drift is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.



House of Stone by Novuyo Rosa Tshuma
Bukhosi has gone missing. His father, Abed, and his mother, Agnes, cling to the hope that he has run away, rather than been murdered by government thugs. Only the lodger seems to have any idea. Zamani has lived in the spare room for years now. Quiet, polite, well-read and well-heeled, he's almost part of the family - but almost isn't quite good enough for Zamani. Cajoling, coaxing and coercing Abed and Agnes into revealing their sometimes tender, often brutal life stories, Zamani aims to steep himself in borrowed family history, so that he can fully inherit and inhabit its uncertain future.




Finally, there's Esi Edugyan's Man Booker Prize Longlisted Washington Black inspired by a true story and out in the UK this month. 

When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven year-old field slave - finds himself selected as personal servant to one of these men. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him, Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape the island together, but then then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible.
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Route map of Ugandan railway - which went through Kenya. Source: Telegraph stamps of the World

Last night, I had the pleasure of listening to Peter Kimani, who was in conversation with Fiammetta Rocco – Culture Correspondent at Economist, about his novel Dance of the Jakaranda, which has been recently published in the UK by Saqi Books. The insightful conversation touched upon the novel's focus on an Indian character as one of the main protagonist, whether Peter Kimani – as a Black Kenyan could write about a Kenyan Asian, how the book has been received by Asians in Kenya, as well a Kenyans more broadly, about where the story came from, why it was set in a hotel, the significance of music and dance in the story and more.

One thing that came out from the conversation, and something that has been at the back of my mind for a while, was 1) that specifically this is a historical novel and 2) that more generally there is a rise in historical fiction in Africa. The last few years has seen quite a number of historical fiction from writers from Africa and the Diaspora, such as Homegoing from Yaa Gyasi ,The Moor’s Account from Laila Lalami, and Butterfly Fish from Irenosen Okojie. This is not to say that historical fiction from African writers is a new thing – as a post I did a couple years ago on African historical fiction included works such as Abdulrazak Gurna’s Paradise Lost and Ahdaf Soueif’s The Map of Love. Still, it’s amazing to see more African historical fiction being published and the new and novel ways writers are re-imagining and re-writing African history. Indeed, this year alone sees some very exciting new historical fiction releases (in the UK), and there’s already a very exciting novel coming out in 2019.

Kintu by Jennifer Nansubuga Makumbi (Jan 2018 | Oneworld)
The year is 1750. As he makes his way to the capital to pledge allegiance to the new leader of the Buganda Kingdom, Kintu Kidda unleashes a curse that will plague his family for generations. As the centuries pass, the tale moves down the bloodline, exploring the lives of four of Kintu Kidda’s descendants. Although the family members all have their own stories and live in very different circumstances, they are united by one thing – the struggle to break free from the curse and escape the burden of their family’s past.

Blending Ganda oral tradition, myth, folktale and history, Jennifer Nansubuga Makumbi has brought to life an extraordinarily colourful cast of characters to produce a powerful epic – a modern classic.



Dance of the Jakaranda by Peter Kimani (March 2018 | Saqi Books)

1963. Kenya is on the verge of independence from British colonial rule. In the Great Rift Valley, Kenyans of all backgrounds come together in the previously white-only establishment of the Jakaranda Hotel. The resident musician is Rajan Salim, who charms visitors with songs inspired by his grandfather's noble stories of the railway construction that spawned the Kenya they now know.


One evening, Rajan is kissed by a mysterious woman in a shadowy corridor. Unable to forget the taste of her lavender-flavoured lips, Rajan sets out to find her. On his journey he stumbles upon the murky, shared history of three men – his grandfather, the owner of the Jakaranda and a British preacher – who were implicated in the controversial birth of a child. What Rajan unearths will open his eyes about the birth not just of a child, but of an entire nation.


Woman of the Ashes: A Novel by Mia Couto; Translated by David Brookshaw (April 2018 | Farrar, Straus and Giroux)
The first in a trilogy about the last emperor of southern Mozambique.
Southern Mozambique, 1894. Sergeant Germano de Melo is posted to the village of Nkokolani to oversee the Portuguese conquest of territory claimed by Ngungunyane, the last of the leaders of the state of Gaza, the second-largest empire led by an African. Ngungunyane has raised an army to resist colonial rule and with his warriors is slowly approaching the border village. Desperate for help, Germano enlists Imani, a fifteen-year-old girl, to act as his interpreter. She belongs to the VaChopi tribe, one of the few who dared side with the Portuguese. But while one of her brothers fights for the Crown of Portugal, the other has chosen the African emperor. Standing astride two kingdoms, Imani is drawn to Germano, just as he is drawn to her. But she knows that in a country haunted by violence, the only way out for a woman is to go unnoticed, as if made of shadows or ashes.
Alternating between the voices of Imani and Germano, Mia Couto’s Woman of the Ashes combines vivid folkloric prose with extensive historical research to give a spellbinding and unsettling account of war-torn Mozambique at the end of the nineteenth century.




The Hundred Wells of Salaga by Ayesha Haruna Attah (May 2018 | Cassava Republic Press)

Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens to cleave the region, during the height of the slave trade at the end of the 19th century. Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.




In the Palace of Flowers by Victoria Princewill (2019 | Cassava Republic Press)
Set in Iran in the 19th century —in the Persian royal court of the Qajars— In The Palace of Flowers is an atmospheric historical debut. Inspired by the only existing first-person account of an Abyssinian slave in Iran, JamÄ«la HabashÄ«, In the Palace of Flowers vividly recreates the court of the Iranian Shah in the 1890s, a precarious time of growing public dissent, foreign interference from the Russians and British, and the problem of an ageing ruler with an unsuitable heir. It tells the story from the unique perspective of two Abyssinian slaves: Jamila, a concubine, and Abimelech, a eunuch.

Highly accomplished, In the Palace of Flowers is a magnificent novel about the fear of being forgotten. It has all the ingredients of the best historical fiction: power struggles, scandal, sex, ambition, secrets and betrayal, and it explores inequality and oppression with insight and subtlety. In this debut, Victoria Princewill shines a light on an area of history about which many readers will know little in a way that feels fresh and grand, yet contemporary.

The man at the centre of the photo is one of many Africans from Abyssinia (Ethiopia) and the Swahili coast sold to Persians to work as servants. Photo by Antoin Sevruguin who photographed in Iran and Armenia from 1870 to 1930 when the Qajar dynasty ruled Persia. Source: Sailors & Daughters Exhibition.

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I didn't initially have any plans to do a post for International Women's Day, because as cheesy as it may sound - everyday is Women's Day for me, but as I was scrolling through twitter I read a tweet where someone mentioned what book would make it on their top 15 books of ALL time. This then got me thinking, which books by African women writers would make it on my top books of ALL time? 

Artwork by Nicholle Kobi
Definitely not as glamourous when I'm reading. 


Now, here's the catch - I am notoriously bad with deciding what my favourite books are. I struggle with choosing one favourite for many reasons - because different books have meant different things to me at different points in my life; because the ones that I love, I love them in different ways. At the same time, I also do know that there are some books that stay with me long after I have read them, that I would recommend if someone asks for a recommendation, and that I would shout (if I was the shouting type) at the top of my lungs about how absolutely awesome/amazing/epic/stunning/add other words to the list the book is. 

So, here I am about to share some of the contemporary books by African women writers that I absolutely adore, and would make my top books of ALL time. I'm starting with 5, mainly because when I asked myself, in the last 5 years which 5 books I've read would make it onto a list like this, they were the ones that instantly popped into my head. I'm also starting with 5 because I liked the sound of 5 books in 5 years :). Others came up afterwards, which makes me want to give myself more time to put together a longer list of my ALL time favourite books by African writers. That will soon come.

For now here are the first 5 - and in the order in which I first read them. I should add that four out of five of the books have one thing in common - they are either historical fiction, or have strong elements of historical fiction in them. While three of the five have strong elements of fantasy fiction and mythology. And, if there are two genres I stan hard for, it is fantasy and historical fiction. 

I first read Byrony Rheam's This September Sun in 2013 thanks to a copy sent by 'amaBooks (a Zimbabwean publisher). I instantly fell in love with the story and the characters. This September Sun is set mainly in Bulawayo, Zimbabwe and tells the story of Ellie - trying to make sense of her life and her grandmother, Evelyn - whom she had a really close relationship with. There was something about Ellie's constant sense of longing that I was drawn to. She never could quite fill it- she didn't quite fit in in her hometown, longed to escape but when she finally moved to the UK (thinking that void would be filled), it didn't quite make a difference. I loved the historical elements of the story, Evelyn's diaries and letters that Ellie finds when she returns home and begins to piece her grandmother's life together. 



I first read Irenosen Okojie's Butterfly Fish in 2015. As I have admitted in a review I wrote on the book, I never would have read this novel if it wasn't for a book chat I had with Irenosen Okojie at Ake Festival in 2015. What a travesty that would have been, because this book is everything I love in one - it's intergenerational (following a family), it's historical fiction (starting in 19th century Benin and going all the way to modern-day London), it's set across multiple locations (Benin, Lagos, London), there's somewhat of a curse (oh I love a good curse), there's the fantasy and mythical element, but there are also layers. In Butterfly Fish, the main character Joy's mother unexpectedly passes away and we see how Joy copes with that loss, especially as it's been only her and her mother since day one. There's more than that, as while Joy in modern-day London is trying to cope, we also go way back to 19th century Benin to the Oba's palace, where we meet his new and eighth wife, Adesuwa. There's more, of course, an inheritance, a brass head, a diary, and tons of secrets (I also love a good secret). Okojie is a beautiful storyteller, she creates fascinating worlds and I absolutely love the way her mind works.





Jennifer Nansubuga Makumbi's Kintu, I first read in 2016 immediately after the Writivism Festival in Kampala. I had been wanting to read Kintu since it was published by Kwani?, but unfortunately it was extremely hard to access it outside of Kenya and Uganda. So, obviously when I was in Kampala, I knew I had to get a copy of it, which thankfully I did. I didn't even wait to get home - I read the book on the flight back to London from Entebbe. I was sucked into the world Makumbi created from the prologue in Kampala in 2004. Again, here was a book including elements of all the things I love - multi/intergenerational (it follows a family), historical fiction (going as far back as the Buddu Province in 1750), there's also the fantasy and mythical elements, a family curse (I really do love a good curse), and layers upon layers. Told in six parts, I loved how each part was separate, but also interconnected (as the family curse wove through). And I was intrigued by how one man's terrible action and even more terrible decision to hide that action affected his entire generation, which made me think about the scars we are left with based on actions made and decisions taken by our ancestors.





I first read Ireonsen Okojie's Speak Gigantular late 2016, while in Jos for work. If Butterfly Fish didn't already make me a fan of Okojie, Speak Gigantular definitely cemented it. It felt like Speak Gigantular was written for women like me who love reading about weird and twisted things. Most (but not all of the stories) are set in London. There's one in a Danish town with a boy who is growing a tail (like I said wonderfully weird). There are tales of suicide and ghosts haunting the London underground; twin sisters, impersonation, and inner demons coming to life; deadly foot fetishes and more. After reading it I posted on instagram that it was 'without a doubt ... now one of my favourite short story collections. It's so so so good. It's also really disturbing, but I like my oh so very weird and wonderful reads'. I still feel that way 18 months later.





Laila Lalami's The Moor's Account is the most recent book I've read on this list - having read it in 2017. I will admit when I first picked it up to read I wasn't feeling it. So, I put it aside and read something else. A few weeks later, I decided to give it another try, and I.was.blown.away. The Moor's Account is epic - I can't think of any other word to describe it. In the acknowledgement of the book Laila Lalami writes '... my protagonist, about whose background nothing is known, except for one line in Cabeza de Vaca's "Relacion" ("The fourth survivor is Estevanico, an Arab Negro from Azamor")'. From that one line, Lalami gifted us with 428 pages of Estevancio's life. From how he came into this world, to his life in Azamor, to wilfully selling himself as a slave, to his first 'owner', to how he happened to be on this voyage to the Americas, to their experiences in the Americas. I could not put the book down. It's rich, it's gripping, it's remarkable ... I could go on.




As I mentioned earlier these were the first five books that came to my mind when I asked myself the question, but since then I've thought of at least ten more books I would add to this list (by women writers alone). So I definitely am going to put together a list of my ALL time top books by African writers. Until then, what would be in your top 5?
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Back in May, Writivism announced on its social media pages that Jennifer Nansubuga Makumbi's Kintu had found a Western publisher - the Oakland-based indie publisher, Transit Books - and would be published in the US in 2017. This was amazing and wonderful news because Kintu is one of those books that I had been told was fantastic, brilliant, a must-read - but ridiculously hard to get a hold of outside of East Africa. Winner of the 2013 Kwani? manuscript project, Kintu  follows the stories of Kintu Kidda - Ppokino of Buddu Province, in the kingdom of Buganda - and his descendants over 2 centuries (and a bit) as they seek to break with the burden of their shared past. I finally got a copy while I was in Kampala for Writivism, and you know what, they weren't lying - the book is fantastic, brilliant, a must-read. I am 240 pages in to Kintu - about to start Part IV - and I have been savouring every word as I really do not want it to end. 

So this makes it even more exciting that today Transit books (can we take a minute to celebrate small presses/indie publishers and African literature) gave an 'early peak at the cover art for Kintu' on their Facebook page. Transit Books also quotes Makumbi's reaction to the book cover in their facebook post:
This is 'Kintu's' first outing in the West. I am delighted that the landscape, the immensity of the myth (looming over the characters and place) have been captured in the images colours and illusions. Hats off, Transit Books.
Well, here's the cover!!!!! And let the countdown to the US edition and wider availability of this gem of a novel begin. 

Cover art via Transit Books facebook page


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So in the last few months, I've been noticing a lot of  lists on historical fiction (like this one BookRiot or this one on The Telegraph). And because I love my lists, I decided to put one together centred on African historical fiction. 

Mansa Musa of Mali
It's always tricky trying to figure out how far back to go - fifty years, a hundred years, two hundred years, more? To answer that, I consulted quite a few pieces, including this one defining the historical fiction genre to try and decide what my cut-off should be. In the end I settled for novels set sixty or more years in the past (so early to mid-1950s) - factoring to some extent (but not fully) the period prior to the first wave of Independence in African nations. So here are 19 works of historical fiction with settings that range from 5th century Egypt to 1940s Berlin. As always this isn't an exhaustive list, and only an indication of some of the works out there. 

Ama by Manu Herbstein
Winner of the 2002 Commonwealth Prize for Best Fist book, Ama personifies the experience of eighteenth century Africans during the slave trade. In it Nandzi - who was given the name Ama - is thrust into a foreign land, passed from owner to owner and stripped of her identity. Though forced into desperation, brutally seized, raped and enslaved Ama never lets her soul be consumed by fear. This is a story of defiance and spiritual fire. 


Azazeel by Youseef Ziedan
Set in the 5th century AD, Azazeel is the exquisitely crafted tale of a Coptic monk's journey from Upper Egypt to Alexandria and then Syria during a time of massive upheaval in the early Church. Winner of the Arab Booker Prize, Azazeel highlights how one man's beliefs are challenged by the malice of the devil, but by the corruption with the early Church.



Butterfly Fish by Irenosen Okojie
Set in multiple locations and eras - including modern day London, 1950s Lagos, 18th century Benin, it follows Joy who struggles to pull the threads of her life back together after the sudden death of her mother. She receives an unexpected inheritance from her mother - a large sum of money, her grandfather's diary and unique brass head, which takes us on a journey through from modern day London to 18th century Benin.



Burma Boy by Biyi Bandele
In a few months, fourteen-year-old Ali Banana goes from being a blacksmith's apprentice in his rural hometown. Now its winter 1944, the war is enterring its most crucial stage and Ali is a private in Thunder Brigade. His unit has been given orders to go behind enemy lines and wreak havoc. But the Burmese jungle is a mud-riven, treacherous place, riddled with Japanese snipers, insanity and disease. 



Cairo Trilogy by Naguib Mahfouz
The Cairo Trilogy (Palace Walk, Palace Desire and Sugar Street) traces three generations of a Muslim family in Cairo during Britain's occupation of Egypt in the early decades of the twentieth century. At the centre is the patriarch - al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence.

Palace Walk introduces us to his wife, two daughter and three sons. Al-Sayyid Ahmad's rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz's vivid tapestry of an evolving Egypt to a dramatic climax as the ageing patriarch sees one grandson become a Communist, one a Muslim fundamentalist and one the lover of a powerful politician.  Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. 



Cloth Girl by Marilyn Heward Mill
Matilda Quartey is fourteen years old when sophisticated black Gold Coast lawyer, Robert Bannerman, sets eyes on her and resolves to take her as his second wife. For Julie, his first wife, this is a colossal slap in the face; for Matilda it is an abrupt - and cruel - end to childhood. Entwined with their story - by turns funny and heartbreaking - is that of Alan Turton, new ADC to the Governor and his dissatisfied wife, Audrey, a hard-drinking accident waiting to happen, who is appalled by her new life. Cloth Girl's Ghana is a cauldron of contradictions - outwardly Christian, yet profoundly superstitious and reliant on fetish priests; exhausting, but exhilarating. For Matilda, it is her passionately loved homeland, for Audrey it is a prison. For the men it is a land of opportunity, where careers can be made and broken, fortunes lost and won. And for all of them the events of these ten years will shape and define their lives forever.



Creole by Jose Eduardo Agualusa
As he travels across three continents, Fradique Mendes, Portuguese aristocrat and adventurer, will bear witness to the Portuguese slave trade and the empire's painful attempts to reinvent itself for the modern age. His journey will bring him into contact with slaves and aristocrats, slave-owners and abolitionists, capoeira fighters and witch-doctors. Most importantly, he will meet Ana Olimpia Vaz de Caminha, a former slave-girl, but now one of Angola's richest women and said to be the most beautiful woman in the world - and fall deeply in love with her. Creole is a tale of romance and redemption that examines the fortunes of the Creole bourgeoisie of Luanda.



The Fire of Origins by Emmanuel Dongala
First published in French in 1987, Makunku, a 'destroyer' - who is born in mysterious circumstances in a banana plantation and whose identity is as variable as that of his land. The novel traces his development along with that of his unnamed country, from the precolonial era, through the horrors of European subjugation, to independence and the complexities of the postcolonial nation. Along the way. charlatans and saints, workers and bureaucrats, warriors and peacemakers are introduced in a moving melange of laughter and terror. 

Kinda preferred this cover to the English version
Half Blood Blues by Esi Edugyan
Set in Baltimore, Berlin and Paris, Half Blood Blues spans from just after the Great War to the 1990s. The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black. Fifty years later, Sid Griffiths, Hero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip Jones, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled. Half Blood Blues chronicles the black experience in Nazi Germany. 


Homegoing by Yaa Gyasa
In Homegoing two half sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asant nations wrestle with the slave trade and British colonisation. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth century Harlem, right up through the present day. 


The Map of Love by Ahdaf Soueif
In 1900 Lady Anna Winterbourne travels to Egypt where she falls in love with Sharif, an Egyptian Nationalist utterly committed to his country's cause. A hundred years later, Isabel Parkman, an American divorcee and a descendant of Anna and Sharif goes to Egypt, taking with her an old family trunk, inside which are found notebooks and journals which reveal Anna and Sharif's secret. The Map of Love weaves an account of the consequences of British imperialism and the fierce political battles of the Egyptian Nationalists through the love story of Anna and Sharif. 


The Moors Account by Laila Lalami
In 1527 the Spanish conquistador Panfilo de Narvaez arrived on the coast of modern-day Florida with hundreds of settlers, and claimed the region for Spain. Almost immediately, the expedition was decimated by a combination of navigational errors, disease, starvation and fierce resistance from indigenous tribes. Within a year, only four survivors remained: three noblemen and a Moroccan slave called Estebanico. The official record, set down after a reunion with Spanish forces in 1536, contains only the three freemen's account. The force, to which the title of Laila Lalami's novel alludes, is Estebanacio's own. Lalami gives us Estebanico as history never did: as Mustafa, the vibrant merchant from Azemmur forced into slavery and a new name, and reborn as the first black explorer of the Americas discovering and being discovered by various tribes both hostile and compassionate. 

Paradise by Abdulrazak Gurnah
Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his 'uncle' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father's debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy's coming of age against the backdrop of a Tanzania that is increasingly corrupted by colonialism and violence. 



Philida by Andre Brink
The year is 1832 and the Cape is rife with rumours about the liberation of slaves. Philida is the mother of four children by Francois Brink, the son of her master. Francois has reneged on his promise to set her free and his father has ordered him to marry a white woman from a prominent family, selling Philida on to owners in the harsh country in the north. Unwilling to accept this fate, Philida tests the limits of her freedom by setting off on a journey. She travels across the great wilderness to the far north of Cape Town - determined to survive and be free.


Queen of Flower by Gabriella Ghermandi
Mahlet, a young Ethiopian girl with a gift for storytelling, has a special bond with Yacob, the oldest in her household. When Yacob tells her stories of how he and the other warriors fought in the resistance against the Italian occupation of Ethiopia, Mahlet vows to become the keeper and teller of her family’s stories. From the time of Menelik to the present, Mahlet's long voyage through time and space links thousands of stories between Africa and Europe. Intensely personal, this powerful and beautifully narrated novel tells the story of the Italian occupation of Ethiopia as well as of others around the globe who have suffered under colonialism or have been forcibly exiled from their homelands.


Thread of Gold Beads by Nike Campbell-Fatoki
Amelia, daughter of the last independent King of Danhomè, King Gbèhanzin, is the apple of her father’s eye, loved beyond measure by her mother, and overprotected by her siblings. She searches for her place within the palace amidst conspirators and traitors to the Kingdom. Just when Amelia begins to feel at home in her role as a Princess, a well-kept secret shatters the perfect life she knows. Someone else within the palace also knows and does everything to bring the secret to light. A struggle between good and evil ensues causing Amelia to leave all that she knows and loves. She must flee Danhomè with her brother, to south-western Nigeria. In a faraway land, she finds the love of a new family and God. The well-kept secret thought to have been dead and buried, resurrects with the flash of a thread of gold beads. Amelia must fight for her life and what is left of her soul. Set during the French-Danhomè war of the late 1890s in Benin Republic and early 1900s in Abeokuta and Lagos, South-Western Nigeria, Thread of Gold Beads is a delicate love story, and coming of age of a young girl. It clearly depicts the strength of the human spirit in the face of adversities.



What the Day Owes the Night by Yasmina Khadra
As a boy Younes' life is irrevocably changed when he leaves his broken home in the Algerian countryside for the colourful and affluent European district of Río Salado. Renamed Jonas, he begins a new life and forges a unique friendship with a group of boys, an enduring bond that nothing – not even the Algerian Revolt – will shake.Yet with the return to Río Salado of Emilie – a beautiful, beguiling girl who captures the hearts of all who see her – an epic love story is set in motion that will challenge the bond between the four friends and force Jonas to choose between two worlds: Algerian or European; past or present; and at last decide if he will surrender to fate or take control of his own destiny.



Which historical fiction by African writers is missing?
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Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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