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Halloween is just around the corner, and while it may not be associated with Nigeria, there is one thing about the day - ghouls, ghosts, witches, and all things scary - that can definitely be found in Nigerian literature. If you don't know, now you know - we know how to tell a good ghost story! We also have our fair share of urban legends, like Madam Koi Koi - with her red heels (clicking away making sounds that go koi koi koi) going from boarding school to boarding school coming to capture kids late at night. Supposedly, if you lay still in bed and don't make a sound, you might be lucky and Madam Koi Koi won't notice you. So, with the end of this month marking All Hallows' Eve, I thought my next celebratory post could look at art associated with Nigerian ghost stories. 

When I think of ghost stories the first one that comes to mind is Amos Tutuola's My Life in the Bush of Ghosts about a young boy who accidentally enters the Bush of Ghosts and encounters a number of ghosts – from the sinister to the not-so-sinister. What I didn't expect when looking for illustrations was to come across these really amazing drawings from an artist, John W. Lane, who one day plans 'to illustrate a complete portfolio of this tale'. Please do! How awesome would that be?
To 7th Town
The Smelling King
Losing Brother
Kitchen Fight. All images via animatedlane

While My Life in the Bush of Ghosts is what first came to my mind, the first novel Amos Tutuola wrote - The Wild Hunter in the Bush of Ghosts - is said to have been heavily influenced by D.O. Fagunwa's Forest of a Thousand Daemons translated from Yoruba by Wole Soyinka. Forest of a Thousand Daemons, said to be the first novel written in Yoruba, takes you to 'a world of warriors, sages and kings; magical trees and snake people; spirits, Ghommids, and big trolls.' While it was first published in 1939, here is the 2012 City Lights publishing edition with illustrations from Bruce Onobrakpeya.

Cover design by Linda Ronan

Images via City Lights
Another well-known ghost story is Ben Okri's Famished Road - that book definitely terrified me when I first read it at 13/14. I was so terrified I put it down and was too scared to pick it back up and continue reading it. Reading it late at night when there's no light (also known as electricity/power) by candle light was probably also not the best idea. Famished Road may follow Azaro, who is an abiku or spirit child, but according to Molara Wood, there was one artist who captured the essence of magical realism. Indeed, Wood described the late Nigerian visual artist Twins Seven Seven as a 'Magical Realist':
'In his fantabulous painted woodcuts, I see the world of D.O Fagunwa, Amos Tutuola, Asiru Olatunde and Ben Okri. Okri may have written about Azaro, but Twins Seven-Seven - born Taiwo Olaniyi Osuntoki - was Azaro personified.'
Here are a couple of Twins Seven Seven's work on abiku's and ghosts.   
The long eared ghost
Healing of Abiku Children
More recent ghost stories come from Helen Oyeyemi - Icarus Girl, The Opposite House and White is for Witching. I particularly like the White is for Witching covers, and this animated trailer for White is for Witching, with art work from Jon Klassen. 




Finally, going back to urban legends and Madam Koi Koi, here are some illustrations of three famous Nigerian horror stories from Obk studios.



If you're interested in finding out more about Nigerian ghost stories, here's a podcast from BBC World Service on West African horror fiction featuring Nigerian writer Nuzo Onoh who writes 'to scare the adults'. Her book, The Reluctant Dead, is a collection of six short ghost stories. There is also The Naked Convos, Lights Out: Nigerian Horror Story series. 
08:30 1 Comments
Could it be? After months and months and months of cold, bleak, grey, miserable weather, is summer getting closer? I am trying not to get too excited - the weather has been better the last couple of weeks, and I'm really hoping the winter coat might soon be tucked away (maybe in a month - is that me being a bit optimistic and positive?). While I count down to glorious summer, I'm super excited that Africa Writes - the Royal African Society's African Literature and Book Festival - is back!!!


For the fourth year, authors, poets, publishers and lovers of (African) literature get to experience three glorious days of well ... African literature and books at the British Library.  Taking place from Friday 3 July to Sunday 5 July, Africa Writes 2015 programme includes a conversation with Ben Okri, an evening of books and inspiration (chaired by Hannah Pool) and an opportunity for aspiring writers to meet with people in the industry. 

A glimpse at Africa Writes 2014
Last year, my sister and I got to listen to Warsan Shire, Belinda Zhawi and other African women poets reclaim the feminine voice; while my mum and I listened to Chuma Nwokolo read excerpts from his anthology How to Spell Naija; Fatimah Kelleher chair a panel on African and Diaspora Travel writing in the 21st century; and was blessed to be in the audience while Wangui wa Goro was in conversation with Ama Ata Aidoo. Plus, I finally got to meet Ivor Hartmann and Tendai Huchu - and my mum reunited with a friend she hadn't seen for over 30 years. You can see why I'm excited!! 

So definitely check out their blog - it has cool features like 'Five Lists of African Literature [Africa Writes] Loves' - and join the conversation on Twitter (#AfricaWrites) to share what you're reading right now.
09:51 No Comments
One place I know I would have loved to be at was the Jaipur Literature Festival, where Teju Cole, Ben Okri and Taiye Selasi were in attendance. Ben Okri was in conversation with Chandras Chaudhury (author of Arzee the Dwarf) about his book The Famished Road, which I only read about a quarter of when I was a teenager because it really scared me. I still remember which part I stopped reading, but I really should pick it up again (I am older and it can't be that scary). There were other panels like "The Weather in Africa" with Teju Cole, Taiye Selasi and Hisham Matar and "The Arab Spring". 


The one panel I would have loved to attend was "The Afropolitans". This was a panel with Ben Okri and Teju Cole in conversations with Taiye Selasi talking about, amongst other things - transforming Africa, the role of the writer in today's Africa, what constitutes an African writer, what is an 'Afropolitan', the power of writing, the endurance of The Heart of Darkness, and the issue of language and writing - writing in an African language or not and the societies being left behind when books are written in languages other than English. It was a really interesting panel and I loved when Ben Okri said "there is no such thing as African writing - there is good writing and bad writing". I especially loved when Taiye Selasi asked "Where are you from?" because that is a question I've never been fully able to answer (satisfactorily), or as Taiye Selasi said "in one word". It's nice to know that I'm not the only one that can't really answer that question. 


Read about The Afropolitans in Jaipur here. There's also a video towards the end of the article with Taiye Selasi talking about one of the main challenges in writing about Africa. 


Watch the panel here, with Teju Cole and Ben Okri reading excerpts from their books Open City and A Time for New Dreams before they start talking about African writing today.  
                             
 
12:59 1 Comments
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About me

Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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