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Exciting news, Digitalback Books - an online platform with a virtual library containing fiction and non-fiction from Africa and the Diaspora - have recently signed an agreement with Tana Press Ltd for the digital release of some of Flora Nwapa's publications. 

Image via Tana Press Ltd. 

Flora Nwapa was said to be the first African woman novelist to be published in English with her first novel, Efuru, in 1966, and was also one of the first African female publishers with the founding of Tana Press in the 1977 - established to publish her own works, as well as others. Nwapa's works also includes Idu, Never Again, and Women are Different. I finally had the opportunity to read Efuru a few years ago thanks to the library at my workplace - they have an awesome selection of novels by African writers, including quite a bit of the African Writers Series, so it's absolutely fantastic that Flora Nwapa's works will be made even more widely available thanks to the digitisation. 



Uzoma Nwakuche - Managing Director of Tana Press - had this to say about the exciting partnership: 
We see the 50th anniversary of 'Efuru', Flora Nwapa's most well-known novel as the perfect opportunity to make this happen. Her titles in digital library will ensure continued access to individuals and institutions alike. 
While Gersy Ifeanyi Ejimofo - founder of Digitalback Books:
Signing an agreement for a number of Flora Nwapa's titles including her last unpublished work 'Lake Goddess' is an incredible milestone for us. We have a lot of contemporary writers on the platform, but Flora Nwapa's works will be our first from the legendary African Writers Series. I sincerely hope this will be the start of more African Classics being digitised and available to new audiences across African and globally.
It's still unclear which of Flora Nwapa's titles - in addition to Lake Goddess - will be released but they will be available on Digitalback books from the end of October 2016. 
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 “My people stand on the riverbank, a wonder-filled mixture of skin hues. Strange ashen men in white gowns, with bars of wood crossed topsy-turvy, chant inanities in my water; they bathe my people in short episodes, still speaking in their strange dead tongue. My people adopt a corruption of this high tongue. And soon I am given a new name. Mammy-Water”. 
- Excerpt from Wet Hair by Eghosa Imasuen


I first read Eghosa Imasuen's beautiful short story, which gives a glimpse into Mami Wata, a few weeks ago, but this post was inspired by my sister who told me about a short Nigeria film, Nkiru, which delves deeper into the mystery of the legend of the Mami Wata. We grew up hearing different tales of Mami Wata, a water spirit, found in many riverside and coastal communities in West Africa (although they can be found in Central African countries, as well as in parts of the Caribbean and South America). She is usually described either as a mermaid or fully human and is said to be a source of absolute beauty and wealth - when not luring unsuspecting victims. 

It was while I was watching Nkiru that I found out about this documentary, Lady in the Water, on the myth of Mami Wata in Nigeria, Africa and beyond. Both the short film and documentary are by 37thState. Enjoy!! 


37th State presents "Lady in the Water": A Mami Water documentary 

37th State presents "Nkiru"

Mami Wata is also a common theme in African literature. So if you're interested in reading more, in addition to Eghosa Imasuen's short story, there's also the works of Flora Nwapa, Veronique Tadjo and Helen Oyeyemi. The lake goddess, Uhamiri, is a theme in Flora Nwapa's novels (Efuru, Idu, Never Again, and The Lake Goddess), while for Helen Oyeyemi in Opposite House, it is the Yoruba African goddess of the ocean, Yemaya. Both Flora Nwapa and Veronique Tadjo also published children books on the subject.


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Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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