• Home
  • About
  • List Reviews Series
    • List
    • Reviews
    • Series
  • Meet
  • ABC
  • Away

bookshy

Powered by Blogger.
Earlier today, I was one of many platforms that had the absolute pleasure of revealing the cover of Cassava Republic Press' forthcoming collection, She Called Me Woman: Nigeria's Queer Women Speak. A few hours after posting it I started thinking more broadly about queer narratives in/from Nigerian literature, and how over the years there seems to be an increasing visibility in Nigerian literary spaces. First, a little trip down memory lane. 


Illustration from Bingo Love: A Black Queer Romance Graphic Novel
Back in 2012, I first explored LGBTQ African literature in two posts. The first post included works such as The Beautiful Screaming of Pigs by Damon Galgut which explores being gay in a macho society and K Sello Duiker's The Quiet Violence of Dreams looking at a male sex-worker and the gay underworld in Cape Town. The second post featured Andre Aciman's Call Me By Your Name about a sudden and powerful romance that blossoms between a young boy and a summer guest at his parent's cliff-side mansion on the Italian Riviera and Jude Dibia's Walking with Shadows - the only book by a Nigerian writer I featured in these earlier posts. And - as far as I am aware - the first Nigerian to write a book with a (positive portrayal) of a main gay character. 

Walking With Shadows was first published in 2005, and in the synopsis 


Ebele Njoko had survived a forlorn and poignant childhood, concealing a secret he could not explain and craving the love and approval of his parents. Years later he reinvents himself and is now known and respected as Adrian Njoko, father, husband, brother and mentor. One phone call and his life as he knows it is changed forever. In coming to terms with his dark secret Adrian is forced to choose between keeping his family or accepting a life of possible loneliness and rejection.

And now back to the present. Well, here are five recent books from Nigerian writers centred on queer narratives. Brittle Paper have also published on what they refer to as 'Literature Humanising Queerness', as well as two other e-collections on queer experiences in Nigeria - Vol 1 and Vol 2 of the Anthology of Queer Art. 

Under the Udala Trees by Chinelo Okparanta (2015)
Ijeoma comes of age as her nation does; born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls.When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope a future where a woman might just be able to shape her life around truth and love.



Blessed Body by Unoma Azuah (2016)
This Nigerian collection of testimonies and autobiographical vignettes span the arduous lives of contemporary LGBT Nigerians at home and in diaspora, both men and women, all courageous narrators who attempt to put a name on their attraction, consulting dictionaries, Internet sites, social media networks, and to place their outing moment in all-girl schools, Universities, Churches, nighttime trading haunts. While the stories boldly sketch the kama sutra of same-sex desire and love in West Africa, lined with the dark specter of AIDS and prostitution, they also draw us into a web of online friendships while a beneficent God amiably eavesdrops on his dissident flock.




When We Speak of Nothing by Olumide Popoola (2017)
Best mates Karl and Abu are both 17 and live near Kings Cross. Its 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local "wannabe" thugs just for being different. When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he's never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home.When We Speak of Nothing launches a powerful new voice onto the literary stage.The fluid prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.



Lives of Great Men by Chike Frankie Edozien (2017)
From Victoria Island, Lagos to Brooklyn, U.S.A. to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chike Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives, triumphing and finding joy in the face of great adversity. On his travels and sojourns Edozien explores the worsening legal climate for gay men and women on the continent; the impact homophobic evangelical American pastors are having in many countries, and its toxic intersection with political populism; and experiences the pressures placed on those living under harshly oppressive laws that are themselves the legacy of colonial rule - pressures that sometimes lead to seeking asylum in the West. Yet he remains hopeful, and this memoir, which is pacy, romantic and funny by turns, is also a love-letter to Africa, above all to Nigeria and the megalopolis that is Lagos.



*The next book was brought to my attention by a comment on this post, so updating the post to include it.

Fimí sílẹ̀ Forever by Nnnann Ikpo
Olawale and Oluwole are dreadlocked Yoruba lawyers, minority human rights activists fighting for a better Nigeria. Bisexual and closeted, Olawale has spent his adult life protecting and defending his charismatic, more evidently homosexual twin; but when the Same Sex Marriage (Prohibition) Act becomes law, they, their family, and the women who love them are caught in a savage spotlight that threatens to wreck all their lives. In the midst of this Wole and Wale must deal with an estranged convict father whose unexpected reappearance brings dark and troubling family secrets to light.


Fimí sílẹ̀ Forever celebrates the enduring power of love, desire, faith, patriotism and human rights struggle in the face of political oppression and religious prejudice in Nigeria today. It extends the literary conversation begun by Jude Dibia and continued by Chinelo Okparanta.


While I am yet to read the last entry - it comes out in the UK in November - I am including it in this list, as from my understanding it has a non-confirming character, which further adds to the current queer narratives from Nigeria in general, and Africa more broadly. As recently described in a Vox review of the book:
It's about finding home within liminal spaces - between genders, between life and death, between god and human - and finding a way to play within them
Freshwater by Akwaeke Emezi (2018)
Ada was born with one foot on the other side. Having prayed her into existence, her parents Saul and Saachi struggle to deal with the volatile and contradictory spirits peopling their troubled girl. When Ada comes of age and heads to college, the entities within her grow in power and agency. An assault leads to a crystallization of her selves: As'ghara and Saint Vincent. As Ada fades into the background of her own mind and these selves - now protective, now hedonistic - seize control of Ada, her life spirals in a dark and dangerous direction. Narrated from the perspectives of the various selves within Ada, and based in the author's realities, Freshwater explores the metaphysics of identity and being. 



*All book synopsis via Amazon
19:58 No Comments


In 2015, MaThoko's Books - an imprint that publishes queer literature in Africa - had a call for submissions for the follow-up on its first anthology, the Lambda Literary award winning Queer Africa: New and Collected Fiction. Well, here's the cover for Queer Africa 2, and isn't it gorgeous!!!! This is one of those less words, and more images post ... purely because my words won't do it any justice. 




The cover was designed by Danielle Clough - photographer-designer-vj-embroider - who explained her process for creating the cover, and while she mentions that 'its difficult to answer' her design process as 'every piece varies from materials purpose', she writes about the role of portraits and photography for the cover design


Keeping in line with the original I have been shooting and embroidering portraits. So for this project, photography has been a strong tool in the process. 
In an article on Collosal, which focuses on Clough's work it was mentioned that the editors of Queer Africa 2, Makhosazana Xaba and Karen Martin,


... were drawn to Clough's work for the publication because of the conceptual linkage of her layered yarn to the personal narratives told in the book, which Zaba explained 'adds meaning and speaks to the zigzagging nature of our lives'.

I love the textures, the vibrant colours and how detailed the faces are. Here's the full piece.


©Danielle Clough. Source: danielleclough.com

Some of the portraits that were embroidered for the cover.

©Danielle Clough. Source: danielleclough.com

And a few of the individual pieces.


©Danielle Clough. Source: danielleclough.com

©Danielle Clough. Source: danielleclough.com

©Danielle Clough. Source: danielleclough.com

Love it!!! Definitely check out Danielle Clough's website and her Instagram for the rest of her amazing work. If I'm not mistaken, Queer Africa 2 was meant to be published earlier this year (but would need to be double check). 
22:59 No Comments
... and they just keep on coming. Another new release for 2015. This time from Chinelo Okparanta with her debut novel Under the Udala Trees. Published by Houghton Mifflin it's out September 22nd. Here's a synopsis:

Inspired by Nigeria's folktales and its war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. 

Ijeoma comes of age as her nation does; born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. 

Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope - a future where a woman might just be able to shape her life and truth and love.
13:52 No Comments
And the wonderful literary lists continue, with Dele Meiji Fatunla and I back with another one - this time on ten gay, lesbian or bisexual characters from African literature we think everyone should know. From Ama Ata Aidoo's Our Sister Killjoy to Diriye Osman's Fairytales for Lost Children, these characters were chosen from literary works we read and loved, and they all have one thing in common - we found them fascinating. So head over to Whats_on Africa, the new events, culture, business and creative economy blog from the Royal African Society, to find out who made it on to our list. Who would be on yours?


10:23 1 Comments
Queer Africa is a collection of charged, tangled, tender, unapologetic, funny, bruising and brilliant stories about the many ways in which we love each other on the continent. The collection includes exquisitely written work by some of the great African writers of this century - K. Sello Duiker, Monica Arac de Nyeko, Beatrice Lamwaka and Richard de Nooy - as well as new voices that map out a haunting, intricate, complex Africa. These unafraid stories of intimacy, sweat, betrayal and restless confidences, we accompany characters into cafes, tattoo salons, the barest of bedrooms, coldly gleaming spaces into which the rich withdraw, unlit streets, and their own deepest interiors. In these unafraid stories of intimacy, sweat, betrayal and restless confidences, we accompany characters into cafes, tattoo salons, the barest of bedroom, the coldly glinting spaces into which the rich withdraw, unlit street and their own deepest interiors. We learn much in these gloriously achieved stories about love and sex, but perhaps more about why we hurt and need one another.
                                                 - Synopsis from Modjaji Books Blog

Can I just say that this collection sounds fascinating. Queer Africa was published in May by Modjaji Books. For other queer literature from Africa check out my previous posts here, here and here as well as an article I wrote a while back here.
21:10 No Comments
I promise I don't only scour the internet for new releases, but whenever I do find out about one I just have to share. I first heard about British-Somali writer, artist and editor Diriye Osman around the middle of last year, when I was working on a post on LGBT African fiction. Back then I knew he was working on a collection of short stories. Well, the collection, Fairytales for Lost Children, will be published September 2013 by Team Angelica. I have to say I'm pretty excited about this release. Until then, here's the synopsis:

Fairytales for Lost Children is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction.
                                         - Synopsis from Team Angelica


And definitely do check out his website and his amazing artwork. There's also an interview here. 

09:40 No Comments
Last night I read this article, Queer Fiction from Africa Collected in New Magazine. After reading it, I knew I had to read the special issue by Q-zine - a bilingual (English and French) online magazine by, for and about LGBTI in Africa. The Creative Writing Issue is an anthology of LGBTI fiction and poetry from Africa. In the introduction, editor John McAllister writes:

"African literature has been preeminently a 'literature of liberation'.

Until recently, African LGBTI writers did not join the conversation, not openly at least. Now the internet is changing that ... and LGBTI Africans who used to struggle in isolation are now interacting online, becoming aware of each others' lives and situations, working together for recognition and equality, and, increasingly, expressing their creative visions of the world in fiction and poetry.

We hope this special issue of African LGBTI creative writing by rising generation of brave and talented young writers will point the way toward a future of proud, fearless LGBTI creative expression in Africa"

This special issue contained a beautiful collection of short stories and poetry, which portrayed the many different experiences of LGBTI Africans. Stories, such as "I Have Loved You" by Kevin Moremi about a complicated love triangle; Bree's "Identifying Myself", which explores gender roles and identity through dress; and "Kizori, My Brother" by Nkululeko Siboniso Mthembu about cross-dressing, were not only a joy to read, but showcased the complexity of LGBTI lives on the continent. The creative issue ends with a lovely piece on Abdellah Taia, whose work I showcased in an earlier post on LGBT fiction in Africa. 

 Interested in Q-zine's Special Creative Writing Issue? Read it here. Enjoy!!
10:17 No Comments
Today is World Pride Day, and this year's theme for the World Pride Parade is 'One World, One Pride, One Voice'. So in honour of World Pride Day, I thought I'd showcase a few more LGBT literature from Africa. More can be found here.  

An autobiographical novel by Moroccan Abdellah Taia. Salvation Army tells the story of Taia's life from childhood bound by a family order and latent (homo)sexual tensions in the city of Sale, through adolescence in Tangier charged b the young writer's attraction to his eldest brother, to a disappointing arrival in the Western work to study in Geneva in adulthood.

Also by Abdellallah Taia, An Arab Melancholia traces the emergence of Taia's identity as openly gay Arab man living between cultures. The book spans twenty years, moving from Sale, to Paris, to Cairo.

Salé, near Rabat. The mid 1980s. A lower-class teenager is running until he’s out of breath. He’s running after his dream, his dream to become a movie director. He’s running after the Egyptian movie star, Souad Hosni, who’s out there somewhere, miles away from this neighborhood--which is a place the teenager both loves and hates, the home at which he is not at home, an environment that will only allow him his identity through the cultural lens of shame and silence. Running is the only way he can stand up to the violence that is his Morocco.

Call Me by Your Name by Egyptian, Andre Aciman is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. 


In Walking with Shadows by Jude Dibia, Ebele Njoko had survived a forlorn and poignant childhood, concealing a secret he could not explain and craving the love and approval of his parents. Years later he reinvents himself and is now known and respected as Ardrian Njoko, father, husband, brother and mentor. One phone call and his life as he knows it is changed forever. In coming to terms with his dark secret Adrian is forced to choose between keeping his family or accepting a life of possible loneliness and rejection.

Artwork by Diriye Osman
www.diriyeosman.com
Also check out Diriye Osman, a Somali-born, British writer, artist and editor. He's currently working on a collection of short stories about gay and lesbian Somalis living in London and Nairobi. His artwork is amazing and he has also written some LGBT short stories. Earthling, which was originally published in Kwani? Magazine follows the life of Zeyuth, a schizophrenic Somali lesbian, whose fraught relationship with her estranged sister, Hamdi, comes to a head when Zeytun decides to gatecrash Hamdi's wedding. Pavilion, about a Somali drag queen who works in a mental hospital in London. Ndambi, about a young woman reclaiming her sexuality after a breakup. 

08:53 No Comments
Again I am late with my review of the Caine Prize 2012 shortlisted stories (sorry!). Once a week, a group of bloggers will be Blogging the Caine Prize. This week's story is Stanley Kenani's "Love on Trial". As always my criteria for reading these shortlisted stories are: if they beat the "stereotypical narrative" and if I enjoyed it.

I'm just going to come out and say it - "Love on Trial" could have been so much better. And I really wanted it to be. I was so excited when I found out one of the shortlisted stories was on homosexuality. Africa is an intensely homophobic continent and recently many African countries (notably Uganda, but even Nigeria) have gained media attention for their laws that make homosexuality illegal, and in some cases even punishable by death. So a quick summary.

Mr. Kachingwe stumbled upon two young men in a toilet in Malawi and this leads to his popularity soaring. A man who loves his alcohol (I am noticing a theme here - African men love their booze), buying him "tot" would enable people to hear "the juiciest parts" of the story. One of the boys Mr. Kachingwe catches is Charles Chikwanje (a law student and one of the villages own) and the story spreads to distant villages and neighbouring districts. One character in the story, Maxwell Kabaifa (an old drinking buddy of Mr. Kachingwe), tries to convince Mr. Kachingwe to stop telling the story as it would ruin Charles life, but Mr. Kachingwe was telling the truth and didn't care about the consequences of it. The story eventually gets to the police and Charles gets arrested for "unnatural offences" and "indecent practices between males". Being the source of the whole story, Mr. Kachingwe gets a lot of attention but the story also gains national and international coverage. Nationally there are a lot of discussions about Charles homosexuality and him needing deliverance and not allowing his satanic ways to taint their "God-fearing nation". Charles (as well as Mr. Kachingwe) are interviewed by the famous presenter, Khama Mitengo, with Charles defending himself eloquently. In the end, he is put on trial and sent to prison (I kinda saw that coming). The international community is outraged and aid is cut. Loss of aid affects the country - no medicine, no petrol, no salaries, inflation. The story ends as it begins, with Mr. Kachingwe. We find out that shortly before the trial he was tested for HIV - he tested positive, but due to the aid cuts he eventually runs out of his ARV drugs (the country that was supplying them cut them off). In Mr. Kachingwe's last days his friend, Maxwell Kabaifa, visits him and tells him a story about about a farmer, his wife and a mousetrap. The story was sort of an "I told you so".

So to go back to my criteria. It definitely wasn't stereotypical and while I applaud the fact that a story on homosexuality was shortlisted, the story was okay. I really wanted it to be great and there were bits I liked. Obviously I loved the fact it was a story focusing on homosexuality and the issues homosexuals in Africa face (as I really feel we need more stories on homosexuality in Africa). I also liked Charles family, but I do wish there was a bit more on them. His father loved and stood by him and even encouraged him to speak to the media with the hope that people might begin to accept him. I did actually like the bit on aid as it showed just how dependent some African nations are on aid and the simple but effective way in which Stanley Kenani wrote about the impact loss of aid had on not only the country but also individuals, like Mr. Kachnigwe and Charles (but that has more to do with the fact that I study development so I am just fascinated by it). In general, I felt like I was being told about Malawians view on homosexuality. The dialogue, especially when Charles was being interviewed by the famous presenter, Khama Mitengo, seemed more like an education on homosexuality and the views of homosexuals in Malawi. What it read like to me was homosexuality isn't a western concept, you are either born gay or straight, and it isn't unnatural. As with the debate on homosexuality, religion and the Bible were also present. 

I strongly believe that there needs to be more African fiction focusing on homosexuality (in a positive light). I have showcased some LGBT African literature on this blog and stories like "Love on Trial" are essential. I see the shortlisting of this story in a very positive light. Unfortunately, if I have to compare it to the other shortlisted stories I've read, I didn't enjoy it as much as I did the other two. 'Bombay's Republic' is still number one for me, with 'Urban Zoning' at number two. I still have 2 stories to go so we'll see.

For other reviews on Love on Trial: Method to the Madness, Stephen Derwent Partington, Backlash Scott, Cashed In, aaahfooey, City of Lions, Loomney, The Reading Life.
20:46 No Comments
In many African societies homosexuality is still thought to be "un-African", a western import, with laws in place to control it. In this climate of homophobia, I was interested to know what type of LGBT literature is coming out of Africa. I already reviewed The Hairdresser of Harare and The Yacoubian Building, which both have gay characters, but I was curious to know how homosexuality is portrayed in African literature and what else is out there that I should be reading. African LGBT fiction (and non-fiction) seems to be dominated by South African writers but here are some that either explicitly focus on homosexuality or have LGBT characters. 










Shadow Power was the first depiction of a love affair between a white and a black man in South Africa; Love Themes for the Wilderness references a historic art and and queer party, the Locker Room Project; Bitter Fruit has a bisexual woman as a secondary character; Seven Steps to Heaven occasionally shifts into same-sex relationships, such as the relationship between a white and a black man; in Confessions of a Gambler, a Muslim woman with a gambling addiction must come to terms with the fact that her son is gay and dying of AIDs; The World Unseen explores the relationship between a lesbian and a married woman; The Quiet Violence of Dreams looks at a male sex-worker and the gay underworld in Cape Town; The Beautiful Screaming of Pigs explores being gay in a macho society; in Bitter Eden men who identify as heterosexual struggle with issues of masculinity and intimacy; Embrace is the story of a young boy's school life as he falls in love with his best friend and choirmaster; The Hairdresser of Harare is about a young man leading a double life in Harare; Go Tell the Sun has a short story "Sethuya Likes Girls Better", which tells the story of a woman suppressing her sexuality; In Tangier We Killed the Blue Parrot, Paul and Jane Bowles are a bi-sexual American couple living as expatriates in Tangier involved in same-sex love affairs with Moroccans; Porcupine includes a representation of being black and a lesbian; Open: An Erotic Anthology by South African Women Writers, contains a significant number of stories about being lesbian or bisexual across a range of cultural settings; Black Bull, Ancestors and Me is a memoir of sangoma, a traditional healer and lesbian; The Invisible Ghetto is an anthology of gay and lesbian writers from South Africa; Transgender Life Stories from South Africa features stories about the transgender experience in South Africa.
08:55 3 Comments
Older Posts

About me

Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

Follow

recent posts

Blog Archive

  • ▼  2026 (1)
    • ▼  June (1)
      • On Daughters, Violent Fathers, and Mothers Who (In...
  • ►  2020 (7)
    • ►  October (2)
    • ►  May (3)
    • ►  April (2)
  • ►  2019 (14)
    • ►  December (3)
    • ►  July (1)
    • ►  June (3)
    • ►  February (2)
    • ►  January (5)
  • ►  2018 (31)
    • ►  December (3)
    • ►  October (5)
    • ►  August (1)
    • ►  July (4)
    • ►  June (4)
    • ►  May (2)
    • ►  March (6)
    • ►  February (2)
    • ►  January (4)
  • ►  2017 (42)
    • ►  October (1)
    • ►  September (1)
    • ►  August (6)
    • ►  July (6)
    • ►  June (6)
    • ►  April (7)
    • ►  March (3)
    • ►  February (5)
    • ►  January (7)
  • ►  2016 (72)
    • ►  December (7)
    • ►  November (2)
    • ►  October (13)
    • ►  September (9)
    • ►  August (8)
    • ►  July (3)
    • ►  June (7)
    • ►  May (4)
    • ►  April (10)
    • ►  March (6)
    • ►  February (2)
    • ►  January (1)
  • ►  2015 (54)
    • ►  December (8)
    • ►  November (4)
    • ►  October (12)
    • ►  August (5)
    • ►  July (4)
    • ►  June (5)
    • ►  May (2)
    • ►  April (3)
    • ►  March (1)
    • ►  February (5)
    • ►  January (5)
  • ►  2014 (71)
    • ►  December (14)
    • ►  November (5)
    • ►  October (8)
    • ►  September (9)
    • ►  August (8)
    • ►  July (6)
    • ►  June (4)
    • ►  April (4)
    • ►  March (2)
    • ►  February (5)
    • ►  January (6)
  • ►  2013 (76)
    • ►  December (2)
    • ►  November (3)
    • ►  October (5)
    • ►  September (6)
    • ►  August (6)
    • ►  June (13)
    • ►  May (8)
    • ►  April (11)
    • ►  March (10)
    • ►  February (6)
    • ►  January (6)
  • ►  2012 (169)
    • ►  December (12)
    • ►  November (12)
    • ►  October (13)
    • ►  September (5)
    • ►  August (13)
    • ►  July (13)
    • ►  June (17)
    • ►  May (17)
    • ►  April (17)
    • ►  March (17)
    • ►  February (14)
    • ►  January (19)
  • ►  2011 (20)
    • ►  December (20)

Popular Posts

  • Book Review: Sue Nyathi's 'The Polygamist'
  • Book Review: Chris Abani's 'Becoming Abigail'
  • 20 Short Story Collections by African Women Writers

Get in touch!

Created with by ThemeXpose