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Rhumba South African film director and screenwriter, Elaine Proctor’s, first novel was published in 2012. This is another novel that I really wanted to read when it first came out, but never got a chance to until recently. This is also another review coming in much later than I anticipated. Thank you also to Quercus for the review copy. 

Set in an immigrant Congolese community in North London, Rhumba is the story of Flambeau – a ten year old boy who was smuggled out of Congo to live with his mother’s family in London for a better life. Flambeau’s mother, Bijou, was meant to come soon after him, but she never showed up. While waiting, Flambeau experiences abuse at the hands of his uncle. He eventually decides to go look for her and feels the sapeur he meets called Knight, might be able to help. He also meets Eleanor, Knight's Scottish girlfriend. With time, Flambeau and Eleanor develop a bond. 


I seem to be reading a lot of 'not-so-happy' stories lately. Here's a little boy who has been smuggled into London, is abused, is homesick and misses his mum. Yet, through Flambeau’s youth and innocence Elaine Proctor manages to write a story about hope.So while this could have been a depressing immigrant story, from Flambeu's eyes it makes you realise that there is hope even in the darkest circumstances.  Another thing I loved was how through her writing I could ‘see’ what I was reading - the rooftop where Flambeau hunts down pigeons, his conversations with Eleanor. Most of all, while reading it I felt that there really was rhumba playing in the background. Honestly, I probably should have listened to some Rhumba while I was reading it.  Elaine Proctor even selects some of her favourite Congolese rhumba music and artists mentioned in the book. 

Overall, I did enjoy this book, with equal parts of pain and hope. 
07:56 No Comments
Alain Mabanckou's Blue White Red (translated by Alison Dundy) was published end of January/beginning of February as part of Indiana University Press "Global African Voices" Series. 

This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki’s footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou's searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol.

                                                                           - Synopsis from Indiana University Press.


Way Back Home, is South African author Niq Mhlongo's third novel, which was released in April. 


I, Kimathi Fezile Tito, do solemnly declare that I am a soldier of the South African revolution. I am a volunteer fighter, committed to the struggle for justice. I place myself in the service of the people, The Movement and its allies.

13 August 1986, Angola

Kimathi Tito has it all. As a child of the revolution, born in exile in Tanzania, he has steadily accumulated wealth and influence since arriving in South Africa in 1991. But even though everything appears just peachy from outside the walls of his mansion in Bassonia, things are far from perfect for Comrade Kimathi. After a messy divorce, accelerated by his gambling habit and infidelities, he is in danger of losing everything. And now, to top it all, he’s seeing ghosts. Sometimes what happens in exile doesn’t stay in exile.

A caustic critique of South Africa’s political elite from the author of Dog Eat Dog and After Tears (both recently reissued).
                                                                                                 - Synopsis from Kwela Books

                                                                                   
09:04 2 Comments
Last year I dedicated an entire month to reading Alain Mabanckou's  novels that had been translated into English. This introduced me to the writings of an author who, let's be honest, I adore. So when I received a copy of Tomorrow I'll Be Twenty, courtesy of Serpent's Tail, I was so happy. This and Americanah honestly were joint first for books released in 2013 that I had to read. 

Narrated through the voice of ten year old Michel, who lives in Pointe Noire, Congo in the 1970s Tomorrow I'll be Twenty  (or Demain J'Aurais Vingt Ans in its original French) is a fictionalised memoir of Alain Mabanckou's childhood. In a recent interview with Africa Book Club, Alain Mabanckou was asked why it was important to write this story. To which he replied:


"It was very important because I figured out that we had no stories told through the voice of a kid in Congolese literature. In Tomorrow I'll be Twenty, I wanted to explain the way we were living under this Congolese regime called 'Soviet Socialism'. We were a red country! Everything was Marx and Engels, about materialism and the philosophy coming from the USSR".


The last time I read a novel with a child narrator I believe it was Ellen Banda-Aaku's Patchwork, and as much as I loved the book, I really did not like the main character. Michel, on the other hand, I absolutely adored. He was generous, kind-hearted, carefree, and also had a way with words for a ten year old ("I'll keep you in the castles I've got in my heart too, where no one can harm you"). I have to say he was a bit naive, but considering he was ten, I'm happy he was. What I loved about this book was the way it intertwined the global with the local - historical events such as the Cold War, Socialist principles, and the daily lives of a family living in the Congo-Brazzaville in the1970s- and how these were all portrayed through the eyes of a child.



There's Michel’s communist uncle, Rene, who quotes Marx, Engels and Lenin and claims to believe in the tenets of Marxism/Communism, but lives in wealth. A President who is also the Prime Minister, Minister of Defence and President of the Congolese Workers' Party, and immortal leaders with speeches children have to know by heart and recite word for word in class.


Michel and his father, Papa Roger, listen to the Voice of America with the American, Roger Guy Folly, on the radio cassette player his father got as a present from one of the guests at the Victory Palace Hotel where he works. Here he learns about Phnom Penh in Cambodia and the Vietnamese army that took over, the Shah of Iran and Ayatollah Khomeyni, Idi Amin Dada, the President of Uganda, and even Mother Teresa and the Nobel Peace Prize. Michel's also got seven brothers and sisters who he stays with when his mother, who sells peanuts, goes to the bush for business. His best friend is Lounes. They like to watch planes flying overhead and guess which country they will land in. He is also in love with Lounes' sister, Caroline, but she left him for ugly Mabele because he's read books like Marcel Pagnol.

While he struggles to decipher world events and the demands of his girlfriend, there is also a problem on the home-front. His mother is unable to have a second child and a witch doctor convinces Michel’s parents that he has the key (literally) to unlock his mother’s womb.

I can't say how much I enjoyed reading this book, but if you have ever been curious about what was happening, but also what it was like living, in a communist African country during the 1970s, what better way to see it than through the eyes of a loveable boy, like Michel.  Also, who else can get away with saying, "The Shah of Iran's become a kind of vagabond, wandering from country to country, while the Monster, Idi Amin Dada, is fine, no one's after him, he's just chilling out in Saudi Arabia”, other than Alain Mabanckou in the voice of ten-year old Michel. 

All that’s left for me to say, is grab a copy of Tomorrow I’ll Be Twenty. And let me know what you think.

4.5 out of 5 stars.
09:36 No Comments
If 2013 wasn't going to be exciting enough with Americanah, as well as Ghana Must Go and Love is Power, or Something Like That, here are a few more books to look out for this year. 


Tomorrow I Will Be Twenty Years Old, a humorous and poignant account of an African childhood, drawn from Alain Mabanckou's life, will be released in May. 

Michel is ten years old, living in Pointe Noire, Congo, in the 1970s. His mother sells peanuts at the market, his father works at the Victory Palace Hotel, and brings home books left behind by the white guests. Planes cross the sky overhead, and Michel and his friend Lounès dream about the countries where they'll land. While news comes over the radio of the American hostage crisis in Tehran, the death of the Shah, the scandal of the Boukassa diamonds, Michel struggles with the demands of his twelve year old girlfriend Caroline, who threatens to leave him for a bully in the football team. But most worrying for Michel, the witch doctor has told his mother that he has hidden the key to her womb, and must return it before she can have another child. Somehow he must find it. 

NoViolet Bulawayo, winner of the 2011 Caine Prize for African Writing, debut novel, We Need New Names, will also be out in May.

Darling is only 10 years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. 


 

Happiness, Like Water is Chinelo Okparanta's debut collection of short stories out in August. 

Happiness, Like Water offers a portrait of Nigeria that is surprising, shocking, heartrending, loving, bringing us life across social strata, dealing in every kind of change. Among her characters are a young woman faced with a dangerous decision to save her mother, children slick with oil from the river, a woman in love with another despite the penalties. Their world is marked by electricity outages, lush landscapes, folktales, littered roads, Land Rovers, buses that break down and never start up again. They fight their mothers and their husbands, their own shame and their own sexuality, the power of religion and the pull of love.These are startling, challenging stories filled with language to make your eyes pause and your throat catch. 
14:19 6 Comments
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After reading two novels narrated by animals, I began to wonder if there were more out there because I enjoyed the different point of views I got from animal narrators, and I also found it interesting that they usually seemed to examine dark themes. 

So I got to researching, and while I did find a lot of novels with animal narrators here, so far I haven't been able to find much when it comes to African literature.  




Dog Days: An Animal Chronicle (Temps de chien: chronique animal) by Patrice Nganang is narrated by a dog, who has learned not to expect much from life. He can, however, observe the life around him - the impoverished Cameroon of the early 1990s, a time known as les années de braise (the smouldering years). When he isn't limited by the length of his master's leash, he wanders the streets of Yaounde relating the wildly diverse language of the street - French, Pidgin English, Medumba - and reflecting the elusiveness of meaning in socially and politically uncertain times. 

I am yet to read Dog Days, but there's a review of it on the 37thState Blog by Ainehi Edoro, whose blog Brittle Paper, is definitely worth checking out - it's "a fun blog on literature and philosophy".

In Memoirs of a Porcupine by Alain Mabanckou, an African legend which says that all human beings have an animal double is brought to life. Our narrator, the animal double of Kibandi, tells us the story of his long (very interesting) porcupine life now he is free from his master. 



In The Book of Chameleons by Jose Eduardo Agualusa Felix Ventura, an albino native in Luanda, deals in memories and forging new pasts for those in need of it, who can also afford it. In this beautifully written short novel, Felix, along with a beautiful woman, a mysterious foreigner, and our witty narrator come together to discover the truth of their lives and how creating new pasts isn't as easy as you'd think.


What have I missed? There has to be more out there that I am yet to find. Any other recommendations on Animal Narrators in the African novel? I would really love to know. 
10:02 No Comments
I dedicated August to reading the four Alain Mabanckou novels that have been translated into English. The final novel I read was Black Bazaar, (published in French in 2009 and translated into English in 2012). This review is coming in much later than I would have hoped, but I finally got the chance to finish reading Black Bazaar. 

Unlike the first three books I read, which were set in unnamed African countries (possibly Congo-Brazzaville where the author is from), Black Bazaar is set in Paris and presents the African immigrant experience in France. Also there are full stops, paragraphs, and sentences begin with capital letters (just in case you read Broken Glass and Memoirs of a Porcupine and really couldn't get into that style of writing).

Our narrator, Buttologist (he can describe a woman's character just from her behind), works at a printing works and has lived in Paris for fifteen years. He is currently living in a small studio he and his ex-girlfriend, Original Colour, used to live in. This was before Original Colour left him, with their daughter, for another man - the Hybrid. Buttologist is a sapeur (a member of the Society of Ambience-makers and People of Elegance), who can tell you about a man from the way he knots his tie, and spends time at an Afro-Cuban bar with other African immigrants in Paris. He is also an aspiring writer. Black Bazaar is his journal on everything - his relationship with Original Colour, his experiences with his racist neighbour, the 'Arab around the corner', his time at the Afro-Cuban bar with his friends, and even his view on colonialism and post-colonial Africa. 

Black Bazaar really is about an African immigrants experience in Paris, and we get to experience that through Buttologist and the people he knows (or meets) and the places he goes. I don't know much about being an African immigrant in Paris, but I found it very interesting to read about it. I also loved the dialogue Buttologist had with different characters in the book, especially his racist neighbour and the 'Arab around the corner'. Overall, a thoroughly enjoyable read and Alain Mabanckou has found himself a new fan.

4 out of 5 stars.
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First I got into the head of a psycho, then an alcoholic, and now in Memoirs of a Porcupine (published in French in 2006 and translated into English in 2011) I get into the head of a porcupine. What will Alain Mabanckou think of next? 

After being the harmful (animal) double for many years to his human master, our narrator, who is finally free from his master, is ready to tell us all about his long porcupine life. And for "porcupine's sake" you should really read this memoir because this porcupine has had a very interesting life. Like Broken Glass, there aren't full stops, only commas and more commas. And like Broken Glass, if you are able to look past that it is a really enjoyable read.


I recently posted this article on my facebook page – Alain Mabanckou by Binyavanga Wainaina – and in it Alain Mabanckou speaks a bit about Memoirs of a Porcupine – “it’s a sort of fable” based on African myths:

“The myth of the double exists not only in my own village; a lot of African readers have told me that in their country people also believe in having an animal as a double”.

Other than African folklore and myths (this is a story about animal doubles and magic), there’s also some crime. There are also many interesting characters we meet along the way - both in the animal (his description of squirrels was hilarious) and human world. His master is a particularly interesting character and in a way through him you get to see the just how bad inferiority complexes can be sometimes.

While reading it, I tried to tell my sister and a few friends about this novel. I tried to explain to them that yes a porcupine (literally, not figuratively) was telling his life story. I even had to show them the cover because what better way to explain a porcupine writing his memoir than the beautiful image on the book cover. They all laughed because they couldn't believe it. That's the thing - the premise of the novel is hilarious and when you do read it you are just shocked and amused at what this porcupine has gone through. 

Like with his other two novels, as well as being funny, Memoirs of a Porcupine also has some shocking content. There is something else I do love about Alain Mabanckou's novel - characters from previous books always make a brief appearance. Angoualima did so in Broken Glass and now Stubborn Snail does so in Memoirs of a Porcupine.

I didn’t want to make any assumptions about Alain Mabanckou after reading African Psyho, but after Broken Glass I became a fan, and now after reading Memoirs of a Porcupine - can I just come out and say that he is an amazing author and the stories he comes up with are pretty much amazing. With only a few days to go until this month ends, I am off to start Black Bazaar.

4 out of 5 stars.
09:38 No Comments
With August being Alain Mabanckou month, I didn't waste time moving on to his second translated novel, Broken Glass (published in French in 2005 and translated into English in 2009).

Broken Glass (64, former school teacher) is madly in love with the bottle (particularly red wine) and a regular at the local bar Credit Gone West (I seriously love the names Alain Mabanckou comes up with). Stubborn Snail, the bar owner, “didn’t want Credit Gone West just to vanish one day” and so gave Broken Glass (a former aspiring author) a notebook in which “to record, witness and pass on the history of the place”. With the notebook in his hand, Broken Glass starts writing about Credit Gone West, its regular customers and the Trois-Cents neighbourhood in which he lives in. 

Filling the notebook was never going to be a problem - the regulars at Credit Gone West really just wanted to share their stories. There’s “the Pampers guy”, “the Printer”,  Mouyeké, Robinette, and more. I won't give away their stories, but they're quite shocking, sometimes humorous, and pretty sad. As the novel goes on, we also hear Broken Glass's story and how he got to be where he is. 


Broken Glass is written with “no full stops, only commas and more commas”. Also don't expect sentences to start with Capital letters. If you can look past these Broken Glass is an enjoyable read. It's funny at times, shocking at times, and I have to say pretty creative. After reading this and African Psycho, I can see why Alain Mabanckou gets the praises that he does. Angoualima, the serial killer from African Psycho, even makes a cameo - well he gets mentioned. There are also many literary references (the blurb said "it contains the titles of 170 classics of international literature"). I will be honest, I only identified a few (The poor Christ of Bomba, The Death of the Wolf, Alice in Wonderland, and The Count of Monte Cristo were some of them) so I might have to read again just to see if I can do it. Has anyone been able to identify these literary references? 

Now off to start reading Memoirs of a Porcupine ...

4 out of 5 stars. 
10:47 6 Comments

I’m just going to say it - Gregoire Nakobomayo is quite possibly the worst serial killer ever. But I’m getting ahead of my self - a bit about African Psycho first.

First published in French in 2003, and translated into English in 2007, African Psycho tells the story of Gregorie Nakobomayo – a wanna-be-serial killer who lives in “He-Who-Drinks-Water-Is-An-Idiot”. When the novel starts, we learn that Gregorie has decided to kill his girlfriend, Germaine – and so starts our journey into the mind of an African Psycho.

Gregorie, a "picked-up" child, who  now works as a car mechanic, has planned to commit this crime for a while now. But murder isn't easy and takes a lot of psychological, mental and logistical preparation, as well as practice-crimes. Luckily, he has his idol and Great Master, Angoualima to guide him. It doesn't matter that Angoualima (the greatest serial killer in their district) is dead.This doesn’t stop Gregoire from having long conversations with him at his grave at the cemetery of “The-Dead-Who-Are-Not-Allowed-To-Sleep”. There's only one problem with Gregorie's dream of becoming a great serial killer  – he is terrible!

African Psycho was quite disturbing, and getting into the mind of a psycho is not something I would usually jump at. While serial killing isn’t a funny thing and shouldn't be taken lightly, it's hard not to end up laughing at Gregorie's failed attempts at killing and robbing. Additionally, Alain Mabanckou finds a way for you not to despise a character that normally you should despise – he is after all trying to murder someone. And the names Gregorie used to describe places. Why call a place a bar when you can say you just left “Take And Drink, This Is The Cup Of My Blood” or that you frequent other bars like “Drinking Makes You Hard”, “Take And Drink”, “You Break Your Glass  You Buy It”, “Even The President Drinks” and more. There was also a point in the book where Gregorie has a non-stop narrative. Embarassing fact – I was so into the novel, I didn't realize until a few pages of this 9-page non-stop narrative that I hadn’t experienced one actual end of a sentence. 

African Psycho is not an easy book to read and it actually is quite disturbing to go into the mind of a psycho - even if he is possibly the worst would-be serial killer ever. A thoroughly enjoyable, if slightly disturbing, read.

3.75 out of 5 stars.
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Founded in 2011, bookshy represents two things: the young me who was so shy I escaped through books, and the older me whose shelf is always one book shy of being full.

bookshy is a space where I celebrate, promote and recognise contemporary African literature - although sometimes I go back in time to commemorate the greats. It is about the books I love, the books I have read and the books that I am dying to read.

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